
Saul Ostrow
Independent Art Critic at Freelance
independent critic, curator and founder of Critical Practices Inc
Articles
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May 29, 2024 |
brooklynrail.org | Saul Ostrow
ArtSeen Mitchell-Innes & NashJoanne Greenbaum: Scaffold April 25 – June 15, 2024 Though the pictorial mash-up that constitutes Joanne Greenbaum's works appears to be spontaneous—as if the paintings were the result of an unpredictable series of acts and reactions—here and there are events, such as the correspondence between overlays, that indicate her premeditation and forethought.
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Apr 24, 2024 |
artspiel.org | Saul Ostrow
The exhibition Accommodating the Object of paintings by Elizabeth Yamin and Bosiljka Raditsa is presented by The Milton Resnick and Pat Passlof Foundation in New York and was curated by William Corwin, who describes this exhibition as an intimate survey that offers the viewer an opportunity to compare the works of these two artists, who were active during the latter part of the twentieth century without attaining prominent careers.
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Mar 15, 2024 |
bombmagazine.org | Saul Ostrow
Dr. Cynthia Hawkins is a Rochester, New York–based artist,academic, and curator who has been painting for over fiftyyears. I met her in 2021 after reaching out with a proposalto present an exhibition of her work at STARS Gallery in LosAngeles. Taking a leap of faith, Cynthia invited me to visit herstudio, and I booked my first post-Covid flight to meet her. Theexhibition came together quickly, but our friendship had onlyjust begun.
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Jan 31, 2024 |
bombmagazine.org | Saul Ostrow |Roy Lichtenstein
Saul Ostrow’s essay inaugurates BOMB’s new online series, Constellations, which consists of short texts by artists, scholars, curators, and teachers that create connections among materials chosen from BOMB’s vast and free online archive.
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Jan 30, 2024 |
brooklynrail.org | Saul Ostrow
On View High NoonALETHEIAJanuary 18–March 3, 2024New York Though at first David Rhodes’s paintings appear to be reductive, repetitive and formulaic, with time one may come to the conclusion that his works are refreshingly deceptive in that he makes paintings that inform thought rather than ones that illustrate soundbites, or are displays of subjectivity, and taste.
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