Scott Stroud

2 months ago | avpress.com | Scott Stroud

In a clipped Nordic accent, Swedish indie folk singer Sarah Klang politely asked the soundboard operator at Nashville’s Blue Room to turn up her microphone. The request, made recently during a rare US performance in the intimate music space attached to Jack White’s Third Man Records, seemed entirely unnecessary. Her voice could fill every crevice of the room, even if she used no microphone at all. Live, just as on record, her tone pins you down and holds you the moment she opens her mouth.

2 months ago | bhpioneer.com | Scott Stroud

NASHVILLE, Tenn. (AP) — In a clipped Nordic accent, Swedish indie folk singer Sarah Klang politely asked the soundboard operator at Nashville's Blue Room to turn up her microphone. The request, made recently during a rare U.S. performance in the intimate music space attached to Jack White's Third Man Records, seemed entirely unnecessary. Her voice could fill every crevice of the room, even if she used no microphone at all.

2 months ago | texarkanagazette.com | Scott Stroud

NASHVILLE, Tenn. -- In a clipped Nordic accent, Swedish indie folk singer Sarah Klang politely asked the soundboard operator at Nashville's Blue Room to turn up her microphone. The request, made recently during a rare U.S. performance in the intimate music space attached to Jack White's Third Man Records, seemed entirely unnecessary. Her voice could fill every crevice of the room, even if she used no microphone at all.

2 months ago | sentinelcolorado.com | Scott Stroud

NASHVILLE, Tenn. | In a clipped Nordic accent, Swedish indie folk singer Sarah Klang politely asked the soundboard operator at Nashville’s Blue Room to turn up her microphone. The request, made recently during a rare U.S. performance in the intimate music space attached to Jack White’s Third Man Records, seemed entirely unnecessary.

2 months ago | msn.com | Scott Stroud

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