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Scott Tobias

Chicago

Film and TV Writer at Freelance

Writer at Vulture

Film/TV writer. Co-host, @NextPicturePod. Author of The Reveal (@MoviesReveal) w/@kphipps3000. "I'm an expert in all things that nature abhors"—Mark Eitzel

Articles

  • 2 weeks ago | thereveal.substack.com | Scott Tobias

    “Did you hear about the claustrophobic astronaut? He just needed a little space.” — “Guinevere,” Red RoomsBefore the internet existed—and certainly before the accelerants of broadband connections and social media—there was no ability for the public to experience traumatic images and videos without a great deal of vetting first.

  • 2 weeks ago | theguardian.com | Scott Tobias

    One of the patterns that emerges in Conversations With Wilder, a delightfully candid 1999 interview book that the director Cameron Crowe did with his film-making hero, Billy Wilder, is that Wilder tends to look more fondly on his hits than his misses. To him, commercial flops were rarely the result of audiences misunderstanding his work, but a regrettable failure on his part to connect with them.

  • 3 weeks ago | vulture.com | Scott Tobias

    The Rehearsal My Controls Season 2 Episode 6 Editor’s Rating 5 stars ***** What has this season of The Rehearsal been about? On the most basic level, it’s been about Nathan Fielder using the absurd apparatus of an HBO comedy series to expose a major safety issue in airline cockpits, tied to a breakdown in communication between the captain and the co-pilot.

  • 1 month ago | vulture.com | Scott Tobias

    The Rehearsal Washington Season 2 Episode 5 Editor’s Rating 3 stars *** Much like last season, when the “Nathan” character started imposing himself more and more on the rehearsals, Fielder mostly casts aside his co-pilots and actors and plants himself uncomfortably in the frame.

  • 1 month ago | vulture.com | Scott Tobias

    The Rehearsal Kissme Season 2 Episode 4 Editor’s Rating 4 stars **** One of the sinister tricks of documentaries — to say nothing of their mutant cousin, the reality show — is how easily they make us forget about their essential artifice and invest in humans who we accept as living normally, even though what they’re doing is taking place in front of a camera.

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