Articles

  • 1 month ago | dailyartmagazine.com | Zuzanna Stanska |Carlotta Mazzoli |Seoyoung C. Kim

    Art Travels Art Travels The time has come, and one of the most anticipated exhibitions of 2025 has opened. Anselm Kiefer—Sag mir wo die Blumend sind is the exhibition of one of the most important artists of our time, Anselm Kiefer, which was opened at the Van Gogh Museum and the Stedelijk Museum in Amsterdam. It is the first time in their history that these institutions have joined forces to stage an exhibition together, and I must say that the effect is spectacular.

  • 1 month ago | dailyartmagazine.com | Caroline Galambosova |Carlotta Mazzoli |Seoyoung C. Kim

    Agostino Arrivabene (born in 1967) is a visionary Italian contemporary artist who continues to produce outstanding surrealist works from his 17th-century house located just outside Milan. His masterful paintings operate in a realm that has no time, boundaries, or laws of physics, creating a sort of ‘room of curiosities’ that gives the viewer a taste of bizarre and extraordinary foreign worlds.

  • Jan 12, 2025 | dailyartmagazine.com | Carlotta Mazzoli |Seoyoung C. Kim

    Contemporary Art The dynamic South Korean art scene is quickly becoming one of the most prominent globally, blending rich traditions with cutting-edge innovation. And a new generation of ultracontemporary artists is redefining the boundaries of contemporary art, showcasing the depth and creativity that make Korea a cultural powerhouse.

  • Jan 2, 2025 | dailyartmagazine.com | Seoyoung C. Kim

    Art Travels Christelle Oyiri, also known as Crystallmess, is a French interdisciplinary artist, DJ, and music producer of mixed heritage—Ivorian, Guadeloupean, and Martinican based in Paris. Oyiri has become the first artist selected for Tate Modern’s Infinities Commission. Her journey began as a DJ and electronic music producer, but she started garnering global attention with her visual art in 2021.

  • Sep 24, 2024 | dailyartmagazine.com | Seoyoung C. Kim |JAMES SINGER |Ledys Chemin |Nicole Ganbold

    We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth. Adolph Gottlieb and Mark Rothko (with the assistance of Barnett Newman)Letter to Edward Alden Jewell, June 7, 1943, “The New York Times”.

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