Articles

  • Feb 15, 2024 | shessinglemag.com | Seth Wade

    Rock Your Valentine's Day Look with These Stunning Hair Accessories for Women | She's SINGLE Magazine

  • Apr 26, 2023 | strangehorizons.com | Archita Mittra |Seth Wade |Shinjini Dey |Kristy Anne Cox

    Speculative fiction, like Janus—the Roman god with two faces, standing at gates and doorways, presiding over beginnings and endings—is uniquely situated to both interrogate our past (historical events, folkloric traditions, and the myths that continue to shape society), as well as peer into our future, particularly the dystopian, capitalist, neocolonial and technology-driven reality we are heading towards.

  • Apr 24, 2023 | strangehorizons.com | Seth Wade |Shinjini Dey |Michael Imossan |Aishwarya Subramanian

    Your bathtub ruptures: broken pipes spew everywhere, a garage door emerges through the tiled floor. This is an essay on the commodification and extraction of time—from bodies and space through a conceptual and historical detour, asking questions of the science(s) that inspired it and the fiction written about it. gravity can no longer hold our dead in their graves or their ghosts in our bones. they float in the air like alien ships, like doves spurting from exhaust pipes.

  • Apr 24, 2023 | strangehorizons.com | Adri Joy |Michael Imossan |Seth Wade |Shinjini Dey

    It’s always delightful when a story uses the strengths of its medium to really knock it out of the park: when a creator uses the conventions of their chosen form to really draw you into a world, to underscore the message of a story, to evoke sensations and emotions beyond those we’d usually associate with the combination of whatever sight, sound, and touch we might be using to transmit that story into our brains.

  • Apr 24, 2023 | strangehorizons.com | Aishwarya Subramanian |Dan Hartland |Michael Imossan |Seth Wade

    In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland are joined by Abigail Nussbaum to tackle one of the thorniest issues in criticism: the negative review. What makes for a good bad review? Why do reviewers feel driven to write them? And are we now in an age where the hatchet job has had its day?

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