
Shakyl Lambert
Film Writer at Comics and Gaming Magazine (CGMagazine)
32. 🇨🇦 by birth, 🇬🇾🇹🇬 by blood. 1/3 of @Seequels. I write/talk movies and games mainly at @CGMagonline. 🍅-approved. Semi-ironic Garfield enthusiast.
Articles
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1 week ago |
cgmagonline.com | Shakyl Lambert
Grief is a feeling that hurts all the same, but one that everyone reacts to differently. Some days we seek some form of deeper meaning behind a loss, others may simply feel a quiet longing to speak to that loved one again, and some completely fall apart. In the case of Danny and Michael Phillipou’s new film, Bring Her Back, that third reaction can lead to something significantly more sinister.
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3 weeks ago |
cgmagonline.com | Shakyl Lambert
Talk about putting the “grand” in grand finale. Mission: Impossible – The Final Reckoning isn’t just the ending of a two-part story, but touted as the potential ending to the nearly 30-year-old blockbuster franchise.
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3 weeks ago |
yahoo.com | Shakyl Lambert
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.Generate Key TakeawaysTalk about putting the “grand” in grand finale. Mission: Impossible – The Final Reckoning isn’t just the ending of a two-part story, but touted as the potential ending to the nearly 30-year-old blockbuster franchise.
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1 month ago |
cgmagonline.com | Shakyl Lambert
On paper, you’d be forgiven for thinking Thunderbolts was Marvel’s attempt to emulate the “supervillains go good” premise DC explored in its two Suicide Squad films. However, it takes a notably different approach from the standard superhero team-up formula, with mostly positive results. For the past several years, Yelena Belova (Florence Pugh) has been carrying out covert operations under CIA director Valentina Allegra de Fontaine’s (Julia Louis-Dreyfus) private company, the OXE Group.
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1 month ago |
cgmagonline.com | Shakyl Lambert
Over the last 12 years, since director Ryan Coogler burst on the scene with indie drama Fruitvale Station, he has quickly become a director whose name is synonymous with delivering character-driven blockbusters. Still, between Creed and the two Black Panther films, it’s always been on the back of pre-existing IP– or in Fruitvale’s case, a real-life event.
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