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Shakyl Lambert

Toronto

32. 🇨🇦 by birth, 🇬🇾🇹🇬 by blood. 1/3 of @Seequels. I write/talk movies and games mainly at @CGMagonline. 🍅-approved. Semi-ironic Garfield enthusiast.

Articles

  • 1 week ago | cgmagonline.com | Shakyl Lambert

    28 Years Later is not the movie you think it is. Yes, it’s the long-awaited return of director Danny Boyle and writer Alex Garland to the world they created with 2002’s game-changing “zombie” flick 28 Days Later. However, Boyle and Garland are not content to rehash what they’ve done before. Instead, they take the opportunity to make some bold swings with the series, resulting in a much more emotional journey than expected.

  • 1 week ago | yahoo.com | Shakyl Lambert

    28 Years Later Review28 Years Later is not the movie you think it is. Yes, it’s the long-awaited return of director Danny Boyle and writer Alex Garland to the world they created with 2002’s game-changing “zombie” flick 28 Days Later. However, Boyle and Garland are not content to rehash what they’ve done before. Instead, they take the opportunity to make some bold swings with the series, resulting in a much more emotional journey than expected.

  • 1 week ago | cgmagonline.com | Shakyl Lambert

    When the late, great Tony Scott released Days of Thunder back in 1990, it was a huge box office hit, though many critics at the time dismissed it as “Top Gun on wheels.” Thirty-five years later, that comparison hilariously rings true once again with F1, director Joseph Kosinski’s follow-up to Top Gun: Maverick.

  • 3 weeks ago | cgmagonline.com | Shakyl Lambert

    Over the last decade, the John Wick franchise has evolved from a simple revenge film that almost went direct-to-video to arguably the premier action franchise of the 21st century, and that’s based off of two main elements: the gun-toting action that has spawned dozens of imitators in its wake, but also the well-crafted lore the franchise has continued to build with each installment.

  • 1 month ago | cgmagonline.com | Shakyl Lambert

    Grief is a feeling that hurts all the same, but one that everyone reacts to differently. Some days we seek some form of deeper meaning behind a loss, others may simply feel a quiet longing to speak to that loved one again, and some completely fall apart. In the case of Danny and Michael Phillipou’s new film, Bring Her Back, that third reaction can lead to something significantly more sinister.

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