Shakyl Lambert

2 weeks ago | cgmagonline.com | Shakyl Lambert

On paper, you’d be forgiven for thinking Thunderbolts was Marvel’s attempt to emulate the “supervillains go good” premise DC explored in its two Suicide Squad films. However, it takes a notably different approach from the standard superhero team-up formula, with mostly positive results. For the past several years, Yelena Belova (Florence Pugh) has been carrying out covert operations under CIA director Valentina Allegra de Fontaine’s (Julia Louis-Dreyfus) private company, the OXE Group.

3 weeks ago | cgmagonline.com | Shakyl Lambert

Over the last 12 years, since director Ryan Coogler burst on the scene with indie drama Fruitvale Station, he has quickly become a director whose name is synonymous with delivering character-driven blockbusters. Still, between Creed and the two Black Panther films, it’s always been on the back of pre-existing IP– or in Fruitvale’s case, a real-life event.

3 weeks ago | yahoo.com | Shakyl Lambert

Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.Generate Key TakeawaysOver the last 12 years, since director Ryan Coogler burst on the scene with indie drama Fruitvale Station, he has quickly become a director whose name is synonymous with delivering character-driven blockbusters.

1 month ago | cgmagonline.com | Shakyl Lambert

Co-writers and directors Alex Garland and Ray Mendoza’s new film Warfare is a war movie that forgoes character development, thematic subtext or overt political messaging. The film opens with a title card that doubles as both tagline and mission statement: “Everything here is based on memory.” Its sole aim is to be a note-for-note recreation of a singular, harrowing day in combat, pieced together from the real accounts of U.S. troops who were there—including Mendoza himself.

1 month ago | yahoo.com | Shakyl Lambert

Co-writers and directors Alex Garland and Ray Mendoza’s new film Warfare is a war movie that forgoes character development, thematic subtext or overt political messaging. The film opens with a title card that doubles as both tagline and mission statement: “Everything here is based on memory.” Its sole aim is to be a note-for-note recreation of a singular, harrowing day in combat, pieced together from the real accounts of U.S. troops who were there—including Mendoza himself.