
Shannon Webb-Campbell
Poet. PhD. Re: Wild Her (@bookhugpress 2025), Lunar Tides, I Am A Body of Land, Still No Word. Editor @muskratmagazine & @V_A_News. Flat Bay First Nation Band.
Articles
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1 week ago |
muskratmagazine.com | Shannon Webb-Campbell
Edited by Jaime Black-Morsette. Highwater Press (2025). Fifteen years after the beginning of the REDress Project, visionary Red River Métis activist and artist Jaime Black-Morsette brings together memories, stories, and art in the anthology REDress: Art, Action, and the Power of Presence (Highwater Press 2025). In her foreword, Cathy Merrick (1962–2024), a proud Cree woman from the Cross Lake Band of Indians in northern Manitoba, describes the REDress project as a memorial and a mandate.
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3 weeks ago |
muskratmagazine.com | Shannon Webb-Campbell
Given the current political climate and boiling tension rising between Canada and the United States, I was anxious travelling to Los Angeles, California, for AWP 2025, the Association of Writers and Writing Programs, gathering at the Los Angeles Convention Center. Like many folks, I was not sure it was a good idea to cross the border at this time with such fluctuating conditions, instability, and upheaval.
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1 month ago |
visualartsnews.ca | Shannon Webb-Campbell
By Shannon Webb-CampbellThe biannual gathering Shore Time on Fogo Island from September 26 to 29, 2024, was more than a coming together off an island in the North Atlantic, it was an invitation to the otherworldly. Organized by Fogo Island Arts, part of the longstanding Shorefast and international residency, Shore Time brings together artists, architects, ecologists, geologists, and writers to envision possible futures on an island off an island, a place far away from faraway.
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1 month ago |
quillandquire.com | Shannon Webb-Campbell
Shannon Webb-Campbell’s latest poetry collection, Re:Wild Her, is inhabited by an otherworldly narrator – part mystic, part pagan, part cool auntie, part It girl, all the way feminist goddess. The dedication itself indicates the tone and intention of the book, “for the wild ones, ruled by winds, water, and beauty.” Feminine and feminist in every regard, the poems are saturated with mysticism and the sumptuous. The collection is divided into three sections.
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2 months ago |
muskratmagazine.com | Shannon Webb-Campbell
Featured Image: Partial view of Another Dream, a multi-media installation featuring Herd by Douglas Walbourne-Gough and Returning by Deantha Edmunds. Visual design and creation by Erienne Rennick. Photo credit: Jane Walker Indigenous artists and writers are leading a cultural revival and gaining momentum as a societal movement on the southwestern coast Ktaqmkuk, or what is colonially known as Newfoundland, and across the island.
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