
Sheri Linden
Senior Copy Editor and Film Critic at The Hollywood Reporter
Writer. Editor. Lapsed potter. Ailurophile.
Articles
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1 week ago |
hollywoodreporter.com | Sheri Linden
For music-loving New Yorkers who grew up in the pre-digital age, the title of Jake Sumner’s first feature-length film needs no explanation. Beginning in the 1960s, countless newspaper ads announcing the rock and pop concerts that were reshaping showbiz began with three words: “Ron Delsener Presents.” What Sumner presents is an exuberant look at some of those shows and artists, and a chance to spend quality time with Delsener himself, who turns 89 this year.
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1 week ago |
yahoo.com | Sheri Linden
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.Generate Key TakeawaysFor music-loving New Yorkers who grew up in the pre-digital age, the title of Jake Sumner’s first feature-length film needs no explanation.
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1 week ago |
flipboard.com | Sheri Linden
1 hour agoSean “Diddy” Combs has been raking in millions by renting out his private jet to wealthy individuals since he was arrested last September and charged with sex trafficking crimes. According to the US Sun, Diddy has earned $4.1 million by renting out his $60 million Gulfstream G550, known as LoveAir. …
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1 week ago |
yahoo.com | David Rooney |Lovia Gyarkye |Jordan Mintzer |Jon Frosch |Sheri Linden
Eagles of the RepublicTarik Saleh follows The Nile Hilton Incident and Cairo Conspiracy with a darkly funny thriller about a famous actor forced to play Egyptian president Abdel Fattah el-Sisi in a biopic. Reteaming with star Fares Fares, who headlined the first two movies, Saleh tackles the dirty dealings between the regime and the film industry, showing how artists are co-opted — or rather coerced — into making propaganda in a country leaving them few other options.
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2 weeks ago |
hollywoodreporter.com | Sheri Linden
Slauson Rec, drawn from several years’ worth of intimate video recordings of an experimental theater company, is a sincere exploration of collective creativity. It’s also the latest chapter in the Shia LaBeouf saga, the stuff of professional acclaim and offscreen headlines. Although LaBeouf isn’t the author of the documentary, he is the architect of the project it chronicles. You might call him the brutalist.
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