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Simon Thompson

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  • Jan 17, 2025 | thetimes.com | Simon Thompson

  • Dec 8, 2024 | thetimes.com | Simon Thompson

    For last weekend’s programme, the Royal Scottish National Orchestra invited two guest artists who already know them well, and the warmth of the chemistry between them was a joy to hear. Violinist Randall Goosby has played with them only once before, but he created such a spark that he has been invited back as artist-in-residence for this season. For this concert he chose Samuel Barber’s violin concerto, a piece that was perfectly tailored to all of Goosby’s expressive gifts.

  • Nov 25, 2024 | thetimes.com | Simon Thompson

    Though it still looks like a shiny visitor that has landed from outer space, the Glasshouse in Gateshead has sat proudly on the south bank of the River Tyne for 20 years now, and this weekend launched its anniversary celebrations in a typically big-hearted manner. The concert hall’s glass exterior wall is like a metaphor for how open and inclusive the venue wants to be.

  • Nov 24, 2024 | thetimes.com | Simon Thompson

    If you’re a regular reader of music reviews in The Times then you might already have November 22 circled on your calendar as Saint Cecilia’s Day. She’s the patron saint of music, and commemorating her has given composers down the centuries an excuse to show off their talents and celebrate their art. Most famous of those in the English-speaking world is Henry Purcell, whose 1692 ode Hail! Bright Cecilia was the centrepiece of this saint’s-day celebration in Edinburgh.

  • Nov 3, 2024 | thetimes.com | Simon Thompson

    This weekend the Nordic Music Days festival took place in Scotland for the first time, and the Royal Scottish National Orchestra’s main contribution featured a Danish conductor, a star soloist and a fistful of premieres. All it needed was some good music to play, and it got it … mostly. The concert’s centrepiece was a letdown, however.

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