
Simon Wu
Articles
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Jan 14, 2025 |
medium.com | Simon Wu
From IPOs to crypto and the rise of vertical AI — Investors weigh in on the trends, technologies and startups to watch in the coming yearSimon Wu·FollowPublished inCathay Innovation·12 min read·--Written by Simon Wu; Edits by Jaclyn HartnettIn the world of tech, startups and venture capital — 2024 can be considered the year of AI tools, transitioning from its initial hype cycle to real world applications.
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Dec 9, 2024 |
jamanetwork.com | Ashley K Saito |Matthew Goetz |Simon Wu
When Can a MRSA Nares Swab Guide Antibiotic Stewardship?What the Nose Knows Clinicians treating infections in the hospital often face uncertainty about when coverage for methicillin-resistant Staphylococcus aureus (MRSA) is warranted.
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Nov 29, 2024 |
frieze.com | Simon Wu
When Paul P. thinks of boys, he thinks of them lying down, hands on their pale chests. Or looking away, engulfed in green clouds. Or hands in the air, exposing the soft fuzz of their armpits. In his first solo exhibition at Greene Naftali, P. fills three enormous galleries with an array of tiny paintings which date from 2012 to 2024, as well as a series of metal sculptures. Most of the works are portraits.
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Nov 26, 2024 |
ffnews.com | Leading Fintech VCs |Lauren Towner |Fahad Hassan |Simon Wu
Range, the all-in-one AI WealthTech platform, raised $28 million in Series B funding, led by Cathay Innovation and joined by Gradient Ventures and other investors. This round brings the company’s total funding to $40 million. Traditional financial advisors have offered the same types of wealth management services to consumers for decades. Range is overhauling the sector with a new AI engine they created named: Rai.
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Oct 14, 2024 |
frieze.com | Simon Wu
The first thing you will see upon entering Tina Girouard’s retrospective at the Center for Art, Research, and Alliances (CARA) is a loop of floral fabric that hangs down from the second floor. Drawn from a set of 1940s-era fabrics that Girouard received from her mother-in-law, who in turn received them from a relative named Solomon Matlock, the ‘Solomon’s Lot’ fabrics (1970s) recur in various installations and performances across 50 years of her collaborative practice.
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