Skye Sherwin

1 week ago | msn.com | Skye Sherwin

Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

1 week ago | theguardian.com | Skye Sherwin

Sam Gilliam’s artistic life was bookended by success against the odds. In 1972, he became the first Black artist to represent the US at the world’s most prestigious art festival, the Venice Biennale. He had overcome poverty and prejudice in the south to study art at one of the first desegregated universities, and, after settling in Washington, was hailed as a radical innovator within the group of abstract painters dubbed the Color School.

1 month ago | theguardian.com | Skye Sherwin

Helen Chadwick, who died unexpectedly in 1996 at the age of 42, has long been an artist more name-checked than exhibited. Her devotees include the lauded feminist mythographer Marina Warner, for whom she’s “one of contemporary art’s most provocative and profound figures”. Yet she is habitually relegated to a footnote within British art: one of the first women to be nominated for the Turner prize in 1987 and an outstanding teacher of YBAs such as Sarah Lucas, Tracey Emin and Damien Hirst.

2 months ago | theguardian.com | Skye Sherwin

In 1975, when Mao Ishikawa was in her early 20s, she took a job in a bar frequented by Black American GIs stationed at Camp Hansen, in Okinawa. She had grown up hating the Americans who controlled her home island and, to this day, maintain military bases there. Yet she found kindred spirits among the soldiers and her fellow barmaids, with whom she lived and loved and also photographed.

2 months ago | theguardian.com | Skye Sherwin

Ken Kiff was a brilliant odd one out in post-second world war British painting. In works that sing with colour and texture, he crafted wibbly-wobbly fables in which eyes and noses slide around faces, animals tower over mountains and dreaming, desiring, questing men are rendered poignantly goofy.