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Sonny Loughran

Articles

  • Nov 25, 2024 | quillette.com | Rob Brooks |David Stoll |Sonny Loughran |Jason Andrew Garshfield

    Of all the ways people expect Artificial Intelligence to change their lives, making new friends is not high on anybody’s list. I wrote an entire book called Artificial Intimacy about AI-powered technologies that capable of socialising with human beings, and yet even I did not anticipate talking with a green-haired, violet-eyed chatbot in the hope of shaking myself out of a slump. Men of my age often don’t have enough friends.

  • Nov 25, 2024 | quillette.com | David Stoll |Sonny Loughran |Jason Andrew Garshfield |Michael Shermer

    A review of Soldiers and Kings: Survival and Hope in the World of Human Smuggling by Jason De Leon, 400 pages, Viking (March 2024)One of the reasons Donald Trump has just been re-elected US president is the battle over how to manage the country’s southern border with Mexico.

  • Nov 24, 2024 | quillette.com | Sonny Loughran |Jason Andrew Garshfield |Michael Shermer |Marco Visscher

    Disinformation is a term often deployed by politicians, journalists, and partisans as a catch-all to discredit opposing views and justify the censorship of inconvenient opinions. But disinformation is, nevertheless, a real problem and tackling it is a challenge we must not shy away from. In its most nefarious form, disinformation refers to lies spread by the agents of enemy states, whose intelligence services are hoping to gain some strategic advantage by deliberately manipulating public opinion.

  • Oct 18, 2024 | quillette.com | Charlotte Allen |Robert Huddleston |Julia Friedman |Sonny Loughran

    Jonathan Kay: In this week’s episode, I’ll be talking to scholar Musa al-Gharbi, author of the acclaimed new book, We Have Never Been Woke: the Cultural Contradictions of a New Elite, published this month by Princeton University Press.

  • Oct 17, 2024 | quillette.com | Charlotte Allen |Robert Huddleston |Julia Friedman |Sonny Loughran

    In September 2022, Netflix released Blonde, Andrew Dominik’s 167-minute adaptation of Joyce Carol Oates’s 738-page novel about the life and death of Marilyn Monroe. If the studio’s executives expected the film to be greeted with plaudits and awards, they were mistaken—most critics responded with scorching outrage to Dominik’s brutal and lugubrious take on the misfortunes of the screen icon and sex goddess who died following a self-administered overdose of Nembutal some sixty years before.

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