
Articles
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2 weeks ago |
culturedmag.com | Sophie Lee
Skaters like Tony Hawk are almost synonymous Old Skool Vans. But the sneaker has also been worn by the likes of Kendrick Lamar, Rihanna, and A$AP Rocky, as well as Kim Kardshian, Kristen Stewart, and Emily Ratajkowski. It’s the kind of classic shoe—one color, one side stripe, white laces—that's permeated every echelon of culture. Still, this Milan Design Week, the brand's OTW by Vans line managed to make it new again.
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3 weeks ago |
culturedmag.com | Sophie Lee
Addison Rae reading Understanding Media by Marshall McLuhan. Is A.I. going to take over? What's the attention economy? Should I give my 4-year-old a phone? All valid questions. The speed of technological advancement can make it feel like devices, and the people who make them, are dictating their place in our lives, instead of the other way around. These days, inventing Facebook makes you an arbiter of federal elections. Buying Twitter and running it into the ground gets you a role in the White House.
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1 month ago |
culturedmag.com | Sophie Lee
Image courtesy of Natalie Margolin and Ben Platt. There’s no elaborate stage work in ALL NIGHTER, the new play now running at New York’s MCC Theater Space. There are no small parts either—just five leads, a group of young women sitting at a table on campus during their last week of college for 95 minutes. No intermission.
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1 month ago |
culturedmag.com | Sophie Lee
Passersby in Soho last night wouldn’t have known it, but the neighborhood’s chicest steakhouse played host to a coterie of New Yorkers trying to scribble down as many porn categories as possible as their emcee ominously counted down from 60. The occasion was sex trivia with CULTURED and luxury lingerie line Fleur du Mal, hosted at Lucky’s by Hot Little Mess columnist Roxy Sorkin, a wild card on the mic known to dish out a couple extra points for a good chuckle.
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1 month ago |
culturedmag.com | Sophie Lee
Film Still from Opus. All images courtesy of A24. If a pop star offered you an invite to their secluded compound for a listening party, you’d go, right? There’s something comforting, certainly parasocial, about modern celebrities that has us bypassing the instinctual creep factor of meeting a stranger in a remote location. Opus, the directorial debut of former GQ editor Mark Anthony Green, puts Ayo Edebiri in this unnerving position.
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