Spencer Perry

1 week ago | comicbook.com | Spencer Perry

In a world where some horror franchises are defined by annual sequels, patience has proven to be a virtue for 28 Years Later.It would have been easy to jump ahead to this specific title a few years after 2007’s 28 Weeks Later, but giving the audience over two decades to build anticipation may be one of the secret weapons of the movie. Time, the decay that it causes, and the reflection that it inspires seem integral to the DNA of 28 Years Later, the first part of a new trilogy of movies.

3 weeks ago | comicbook.com | Spencer Perry

After the critical success and fan reception of 2022’s Prey, the Predator franchise was riding high and fans were eager for more. Filmmaker Dan Trachtenberg was quickly destined to become an architect for the series like it had never had, and the fruits of his labor have been revealed this week with Predator: Killer of Killers, the first new project for the series after Prey.

3 weeks ago | comicbook.com | Spencer Perry

When Prey arrived in 2022, it was like a shot to the heart of the dormant Predator franchise. A longtime mainstay for sci-fi and horror fans, the series had floundered for decades despite attempts to revitalize it with 2010’s Predators and 2018’s The Predator (in addition to countless comic books).

3 weeks ago | comicbook.com | Spencer Perry

Following mysterious teaser videos all weekend, Universal Pictures and Blumhouse have released the full trailer for Black Phone 2. The full trailer for the movie not only reveals the first footage from the horror sequel but confirms just how Ethan Hawke’s The Grabber is back in the story.

1 month ago | comicbook.com | Spencer Perry

The Last of Us TV series, like so many other hit TV shows, had an extensive gap between its first two seasons. Though the larger landscape of Hollywood has resulted in the time between new episodes of TV shows being longer and longer, many fans still think that an annual release for shows is the standard. Despite that feeling, the reality of production costs and scheduling as forced creatives to take longer between delivering new seasons.