
Stephen Deusner
Articles
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1 week ago |
spin.com | Stephen Deusner
When she was in college, Zoë Dominguez challenged herself to write a feminist rock song. She knew that assigning personal stakes to a big social issue would be difficult, but that was the whole point. “It’s hard to write any kind of feminist song,” she says from her home in Memphis, “because you run the risk of sounding like you’re just complaining. That’s something that’s levied against women and is absolutely not valid.
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1 month ago |
uncut.co.uk | Stephen Deusner
Kassi Valazza opens “Roll On”, a meditative country-tinged ballad from her third album, with a stark realisation: “I’ve made up my mind, I feel like I do”, she asserts over a slow-motion two-step rhythm and thick brushstrokes of pedal steel and fiddle. “And if I feel like I do, I’ll try moving on”.
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2 months ago |
yahoo.com | Stephen Deusner
When Eli Roth was doing press in Europe for Hostel or Hostel: Part II—he can’t remember which—he walked into a video store in Rome and found a bin full of Italian sex comedies. He’d never heard of any of them, despite having an interest in the country’s genre film industry: giallo murder spectacles, crime thrillers, horror movies, even westerns.
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2 months ago |
spin.com | Stephen Deusner
When Eli Roth was doing press in Europe for Hostel or Hostel: Part II—he can’t remember which—he walked into a video store in Rome and found a bin full of Italian sex comedies. He’d never heard of any of them, despite having an interest in the country’s genre film industry: giallo murder spectacles, crime thrillers, horror movies, even westerns.
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2 months ago |
pitchfork.com | Stephen Deusner
The most notable thing we know about Bill Fox is that we know almost nothing notable about him, and that’s still more than he might like us to know. In the 1980s he fronted a short-lived but well-loved band called the Mice, whose brand of catchy, acerbic power pop inspired Elliott Smith and fellow Buckeyes Guided by Voices. He released a series of solo albums—like 1996’s Shelter From the Smoke and 1998’s Transit Byzantium—that are considered beloved cult artifacts.
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