
Stephen Puleo
Articles
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Apr 23, 2024 |
bookbrowse.com | Stephen Puleo
CHAPTER 1 "WE ARE BECOMING ABOLITIONISTS … FAST"Charles Sumner was saddened, though not overly sympathetic, when he saw his first slaves in 1834 at the age of twenty-three.
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Feb 28, 2024 |
publishersweekly.com | David Masciotra |Stephen Puleo |Shannon Vallor |Shefali Luthra
Ben Wynne. Louisiana State Univ, $29.95 (184p) ISBN 978-0-8071-8114-0Music historian Wynne (Something in the Water) scrupulously documents how Elvis’s 1956 hit song “Hound Dog” helped catapult rock ’n’ roll “into the American cultural mainstream.” Written for and performed by “blues belter” Willie Mae “Big Mama” Thorton in 1953, the song was covered by multiple artists before Elvis saw Freddie Bell and the Bellboys perform a sanitized and comedic rendition in Las Vegas in 1956.
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Feb 27, 2024 |
publishersweekly.com | David Masciotra |Stephen Puleo |Shannon Vallor |Shefali Luthra
Chris Stein. St. Martin’s, $30 (304p) ISBN 978-1-250-28672-7Blondie guitarist Stein (Point of View) chronicles in this knockabout personal history the colorful scenesters, grueling gigs, and desperate scrounging for drugs that have marked his musical career.
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Feb 27, 2024 |
publishersweekly.com | David Masciotra |Stephen Puleo |Shannon Vallor |Shefali Luthra
Glenn Kenny. Hanover Square, $32 (320p) ISBN 978-1-335-44962-7This raucous study from film critic Kenny (Made Men) examines the making and enduring cultural significance of Brian De Palma’s 1983 film, Scarface. Kenny describes how Al Pacino, impressed after watching Howard Hawks’s 1932 mobster flick of the same name, approached producer Marty Bregman about shooting a remake.
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Feb 26, 2024 |
publishersweekly.com | Hanif Abdurraqib |David Masciotra |Stephen Puleo |Shannon Vallor
Hanif Abdurraqib. Random House, $28 (352p) ISBN 978-0-593-44879-3Cultural critic Abdurraqib (A Little Devil in America) returns with a triumphant meditation on basketball and belonging. Serving as a love letter to Abdurraqib’s hometown of Columbus, Ohio, and the state more broadly, the book is structured like a basketball game, divided into four “quarters” with game clock time stamps demarcating section breaks.
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