
Articles
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1 week ago |
patheos.com | Stuart Delony
Tony Perkins is the kind of man who could watch someone drown and offer them a laminated Bible verse instead of a rope. If there’s a spiritual gift of sanctimonious cruelty, he’s got it in spades—and he’s not shy about sharing. His latest sermon-disguised-as-policy-pitch is a reminder that when white Christian nationalism gets bored, it turns to kicking the poor.
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1 week ago |
patheos.com | Stuart Delony
Graduation season just wrapped. Three ceremonies in a matter of weeks—two college, one high school. Three of my kids crossing thresholds, moving forward, shedding old versions of themselves. Sitting there, I watched them—these humans I’ve raised—walk across stages into the next unknowns. They have changed. They have grown. In ways I expected and in ways I didn’t. I’m proud of them—deeply proud—not just because they’ve accomplished things, but because they are becoming themselves.
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2 weeks ago |
patheos.com | Stuart Delony
Welcome to America, Where Whiteness is a VisaCongratulations, white South Africans — your MAGA cosplay has earned you a one-way ticket to the land of exceptionalism, expletives, and ex-president worship. While actual refugees—fleeing war, famine, and real persecution—sit in bureaucratic purgatory, Trump’s America has rolled out the red (white) carpet for a very specific group: Afrikaners.
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3 weeks ago |
patheos.com | Stuart Delony
America has questions. Big ones. And no, we’re not talking about the theology behind “worship protests” or why Christian influencers suddenly all own ranches. We’re asking the real question:What is Sean Feucht hiding under that combover? Let’s be clear—there’s no shame in losing your hair. Happens to the best of us. Hairlines retreat like evangelical integrity during an election year. But the scandal isn’t the balding—it’s the aggressive, ramen-styled deception attempting to pass for a hairstyle.
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3 weeks ago |
patheos.com | Stuart Delony
Nathan Fielder’s HBO experiment exposes what happens when faith becomes a script: the church rehearses piety but forgets how to live it. Nathan Fielder’s The Rehearsal is part satire, part social experiment, and part existential crisis disguised as premium cable. It’s awkward. It’s brilliant.
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