
Sumaiyah Wade
Articles
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Apr 16, 2024 |
sugarcanemag.com | Melissa Davis |Angela N. Carroll |Roli O’tsemaye |Sumaiyah Wade
a divination of enjoyment: extended play (EP) vol. 3In recent years, the Government of Ghana and its Tourism Authority launched a campaign to commemorate the 400th anniversary of the arrival of the first enslaved Africans in Jamestown, Va.. “The ‘Year of Return,” as it was coined, aimed to deepen the connection between Ghana and the diaspora while boosting local trade and tourism. It was launched in 2019, followed by a second edition called “Beyond the Return” in 2020.
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Apr 16, 2024 |
sugarcanemag.com | Angela N. Carroll |Melissa Davis |Roli O’tsemaye |Sumaiyah Wade
By Quincey ArringtonWhen Faith Ringgold is one of the earliest lessons you have ever learned, everyday African life in the U.S. or anywhere else can be a freedom unto flying. Ringgold passed over to the ancestor realm at the age of 93, leaving a legacy. We, the African American children she helped raise, had her longer than we had most, but it seems not long enough.
This Week in African Art and Culture (April 7 – 13, 2024) - Sugarcane Magazine ™| Black Art Magazine
Apr 13, 2024 |
sugarcanemag.com | Roli O’tsemaye |Angela N. Carroll |Sumaiyah Wade |Melissa Davis
While some of the most notable events that have taken place recently have been detailed here to bring you up to speed with what is happening, the best part of the highlight on This Week in African and Art and Culture is the event recommendations.
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Feb 25, 2024 |
sugarcanemag.com | Melissa Davis |Sumaiyah Wade
Roberts Projects to present Betye Saar: New Work, February 24 – April 27, 2024. Occupying the intersections of historic narrative and ancestral memory, factitive ritual and metaphysical truth, this exhibition is testament to Saar’s enduring legacy as a pioneer of Assemblage art and an American cultural icon.
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Feb 25, 2024 |
sugarcanemag.com | Melissa Davis |Sumaiyah Wade
Jack Shainman Gallery has announced its representation of conceptual artist Charisse Pearlina Weston in collaboration with Patron Gallery. Based in Brooklyn, Weston works across sculpture, writing, installation, and photography. Utilizing techniques such as concealment, repetition, and enfoldment, her work posits Black interior life as a central site of Black resistance. Weston often integrates glass into her work due to its inherent nature.
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