Susan Moore

2 weeks ago | apollo-magazine.com | Susan Moore

Marking the centenary of the first group show of the quartet now known as the Scottish Colourists, this ambitious and provocative exhibition is the initiative of the Fleming Collection and has been organised by its curator emeritus, James Knox. It aims to set the work of these four Scots in a wider British and European context, supplementing the foundation’s own holdings with generous loans from the Tate and less well-known public and private collections.

2 weeks ago | src.apollo-magazine.com | Susan Moore

Marking the centenary of the first group show of the quartet now known as the Scottish Colourists, this ambitious and provocative exhibition is the initiative of the Fleming Collection and has been organised by its curator emeritus, James Knox. It aims to set the work of these four Scots in a wider British and European context, supplementing the foundation’s own holdings with generous loans from the Tate and less well-known public and private collections.

3 weeks ago | apollo-magazine.com | Susan Moore

From the June 2025 issue of Apollo. Preview and subscribe here. Goodwood’s new Art Foundation is nothing if not ambitious. Its catalyst was in part the closure in 2020 of the Cass Sculpture Foundation, a charity which had for nearly 30 years rented 26 acres of this historic Sussex estate for the commissioning and display of contemporary British sculpture.

2 months ago | apollo-magazine.com | Susan Moore

Renato de Albuquerque bought his first piece of Chinese export porcelain in the Portobello Road in London in the early 1980s. Four decades and some 2,600 acquisitions later, the Brazilian collector’s world-class holdings of primarily Ming- and Qing-dynasty export wares are at the heart of a new foundation that places the art of ceramics – past, present and future – centre stage.

Mar 3, 2025 | apollo-magazine.com | Ed Behrens |Samuel Reilly |Susan Moore |Rosalind Jana

In this issue It’s time for the UK to act on restitution An interview with Alex Da Corte The Museum of Modern Art in Warsaw Music-making in Renaissance Italy Plus: a new golden age at Versailles, Cycladic art over the centuries, the dangers of living in Los Angeles, Tracey Emin’s passion for painting, what new EU import laws will do to the art market, and a preview of TEFAF Maastricht; with reviews of modernism in Brazil, the drawings of Henri Michaux, and the essays of Svetlana Alpers. And...