
Susannah Clapp
Theater Critic at The Observer
Theatre Critic of the Observer. Author of 'A Card from Angela Carter' and 'With Chatwin'.
Articles
-
5 days ago |
observer.co.uk | Susannah Clapp
Amid the lopped-off limbs and family pies, Simon Russell Beale also melts hearts in Max Webster’s searing production of Shakespeare’s goriest tragedy Titus AndronicusSwan theatre, Stratford-upon-Avon; until 7 JuneThe prize for the most challenging Shakespearean stage direction is up for grabs. “Exit, pursued by a bear” has long been presumed the winner: the Royal Shakespeare Company has an enormous stuffed bruin looming near its Stratford bookstall.
-
1 week ago |
observer.co.uk | Susannah Clapp
Ibsen’s play could certainly do with a going over. But not this one, writes The Observer's theatre critic Susannah Clapp My Master BuilderWyndham’s, London WC2; until 12 JulyThe Brightening AirOld Vic, London SE1; until 14 JuneMartin Amis, who was not a fan of the theatre, warned me off this job 28 years ago. After all, he explained, there are only three playwrights: Shakespeare, Ibsen and Chekhov. I disagree, but sometimes it seems that dramatists are on his side.
-
2 weeks ago |
observer.co.uk | Susannah Clapp
The Slow Horses star performs in, directs and designs an intimate production of Samuel Beckett’s one-man drama of loss, finely capturing its sense of rage and reverie Krapp’s Last TapeYork Theatre Royal; until 17 MayWhy would I rather see Krapp’s Last Tape than Waiting for Godot? Both plays are drenched in disappointment: Godot (1952) from defeated expectation, Krapp (1958) from the losses of the past.
-
3 weeks ago |
msn.com | Susannah Clapp
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
-
3 weeks ago |
theguardian.com | Susannah Clapp
My attitude to stage design changed about 15 years ago when I was on the judging panel for the Evening Standard theatre awards. Advocating one designer, I was met by an objection from another critic: “You can’t see what he does.” That was, of course, the best argument for my chap winning. Suddenly I realised what should have been self-evident: the best design does not have evident designs on its audience. I remembered that exchange when watching Mohamed-Zain Dada’s light-footed new play, Speed.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →X (formerly Twitter)
- Followers
- 11K
- Tweets
- 8K
- DMs Open
- No

RT @libertyhq: 🚨BREAKING🚨 WE’VE WON OUR CASE TO #DefendDemocracy The Court of Appeal has ruled that anti-protest laws which completely ig…

RT @CarolineLucas: Brilliant news! Why isn’t this on the front pages?

RT @ObsNewReview: The best of luck to incoming editor @TimAdamsWrites under the new regime, and to the team you will build over the coming…