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Sushrut Gopesh

Mumbai

Editor-in-Chief at Digital Mafia Talkies

Editor-in-Chief at Digital Mafia Talkies

Articles

  • 5 days ago | dmtalkies.com | Sushrut Gopesh

    Jack, directed by Bommarillu Baskar, asks for suspension of disbelief, but even after that, the narrative is too absurd for my liking and truth be told, I couldn’t bring myself to appreciate or enjoy what was shown. I understand the approach where the protagonist jokes around and does not take anything seriously, but the moment the plot calls for it, he turns into this superhuman who has the potential to do anything.

  • 6 days ago | dmtalkies.com | Sushrut Gopesh

    The Diplomat directed by Shivam Nair, is no doubt a decent watch, but I was a tad disappointed after watching the film. The reason being, I didn’t feel like the creative team was able to harness the full potential of the film.

  • 1 week ago | dmtalkies.com | Sushrut Gopesh

    Directed by Guntur Soeharjanto, The Haunted Apartment: Miss K is a complete replica of its prequel, i.e., part one. The names of the characters have been changed, the plot has been tweaked a little, and the setting is different, but apart from that, everything happens in the exact same manner. I mean, I understand it’s a franchise, but a little bit of originality, just to make things a little less predictable, wouldn’t have hurt.

  • 1 week ago | dmtalkies.com | Sushrut Gopesh

    Blood of Zeus season 2 proved one thing: that the gods were not as noble as they were expected or supposed to be, and that at times the mortals and the demigods acted more responsibly and selflessly than they did. We saw that Hades stabbed Heron and killed him, a decision that didn’t go down well with Gaia. She was angry at the pettiness of the gods, and she declared that their reign would end and the Titans would take over.

  • 1 week ago | dmtalkies.com | Sushrut Gopesh

    Directed by Adhik Ravichandran, Good Bad Ugly is a masala entertainer that pushes the limits to the point where the narrative starts looking absurd. Every second scene is a montage of the protagonist making a grand entrance where we hear somebody shouting in the background that he is back. There is absolutely no buildup in the narrative, and with each and every scene the director tries to reach the pinnacle of emotion, which makes the film entirely ineffective.