Terry Staunton

3 weeks ago | radiotimes.com | Terry Staunton

The good news is that this is a better movie than either Five Nights at Freddy’s or the truly woeful Winnie the Pooh: Blood and Honey (both 2023), but writer-director Alex Scharfman’s comedy-horror is still a concept stretched beyond its capabilities. Straitlaced single parent Paul Rudd and his infinitely cooler college-age daughter Jenna Ortega are driving to a weekend gathering at his moneybag employer’s country pile when their car collides with… well, you know.

1 month ago | loudersound.com | Terry Staunton

In 2011, with original members David Johansen and Sylvain Sylvain still at the helm, the New York Dolls released their final album, Dancing Backwards In High Heels. Recorded in Newcastle-upon-Tyne in the north of England, it bore many of the hallmarks of the Dolls’ glam-trash 70s sound but with a few modern flourishes. We asked Johansen to tell us about it. Why did you record in Newcastle?

1 month ago | radiotimes.com | Terry Staunton

However, none of the above films went the extra mile and took home the glittering prize of Best Picture; so, while Timothée Chalamet’s spellbinding turn as Bob Dylan has the requisite buzz of a winner, is history against A Complete Unknown itself going all the way?

2 months ago | uncut.co.uk | Terry Staunton

Perhaps one of the minor, less explored planets of the George Clinton universe, the Brides started out as an offshoot of characters in the storyline of Parliament’s 1976 loose concept album The Clones of Dr Funkenstein. Featuring, for the purposes of this debut long player, the pairing of Dawn Silva and Lynn Mabry, the duo were marketed as a more radio-friendly prospect than typical P-Funk fare.

Jan 13, 2025 | radiotimes.com | Terry Staunton

The intense fervour of a certain stripe of Dylan devotee has made A Complete Unknown the most talked-about biopic in years, propelled by its makers’ delight in holding an unusually high number of sneak previews prior to the film’s official release in both America and the UK. Consequently, internet forums and message boards of a diehard Dylanologist bent (the "dork web", if you will) have been ablaze with debates over dramatic licence playing fast and loose with the facts.