Tess Thackara
Arts and Culture Journalist at Freelance
Arts & culture journalist. Words @ NYT, T Mag, FT, The Art Newspaper, Artsy.
Articles
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3 weeks ago |
theartnewspaper.com | Tess Thackara |Deborah Obalil |Daniel Grant
Universities in the US are facing a barrage of attacks from President Donald Trump’s administration, some of which could deal a death blow to smaller arts colleges and programmes around the country.
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Nov 27, 2023 |
theartnewspaper.com | Tess Thackara
After Hamas brutally attacked Israel on 7 October, killing around 1,200 people and taking more than 240 hostages, the painter Zoya Cherkassky-Nnadi fled with her eight-year-old daughter from Tel Aviv to Berlin. There, as a full picture of the attacks began to emerge, she started drawing scenes of the atrocities in a visual language that has roots in her childhood growing up in the Soviet Union. Cherkassky-Nnadi was born in Kyiv and emigrated to Israel with her family as a teenager.
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Oct 6, 2023 |
infobae.com | Tess Thackara
Nueva York — Cuando la artista colombiana Delcy Morelos creó un gigantesco laberinto de tierra en la Bienal de Venecia de 2022, observó cómo algunos visitantes respondían a la estructura de una manera que la inquietaba. Te puede interesar: DogTV es televisión para perros, excepto cuando es para la gente. “La gente pateaba la obra”, comentó, sentada en las galerías de Dia Art Foundation en Chelsea, sobre una pila de heno destinada a su próxima instalación colosal hecha de tierra.
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Oct 4, 2023 |
drudge-report.net | Tess Thackara
To make sense of her country’s history of violence, the artist evokes beauty in the land. At Dia, you can smell, enter and touch. Read More
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Oct 4, 2023 |
nytimes.com | Tess Thackara
To make sense of her country's history of violence, the artist evokes beauty in the land. At Dia, you can smell, enter and touch. When the Colombian artist Delcy Morelos created a giant maze of earth at the Venice Biennale in 2022, she watched some visitors respond to the structure in a way that troubled her. "People would kick the work," she remarked, sitting in the galleries of Dia Art Foundation in Chelsea, on a stack of hay destined for her next colossal installation made of soil.
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“Machines are not going away, and there is still time for us to shape and develop them in a more gentle and compassionate way.” I spoke to Anicka Yi, who has turned the @Tate Turbine Hall into an aromatic ecosystem inhabited by "biologized machines" https://t.co/TSAoGUU3kG
RT @47_canal: "Yi's floating forms respond to the air in Turbine Hall in unpredictable ways, with each of the tentacular, bulbous creatures…
RT @TheArtNewspaper: Advocates and dealers caution that, while recognition and prices are growing, there are still plenty of barriers to en…
