Thomas Turner

3 weeks ago | thelineofbestfit.com | Thomas Turner

Nestled in the middle of Brockwell Live’s summer festival series – running from the late May to early June, and causing quite the controversy among locals fearing the impact of the festivities on the park – Mighty Hoopla repeatedly emerges as a certain, resplendent utopia.

4 weeks ago | thelineofbestfit.com | Thomas Turner

Maddie Ashman, however, defiantly carves her own space both in her capacity as a producer, as well as using her toolkit as a vocalist. Fascinated by the power and unlimited possibility in simple intonations, the London-based auteur self-delineates her music as "microtonal" and employs a rigorous individuality in everything she does. It's the perfect secret sauce that has already turned the heads of driving industry creatives from Caroline Polachek to Jacob Collier.

1 month ago | thelineofbestfit.com | Thomas Turner

Already a well established DJ proving her talent with a slew of solo releases and festival slots, London-based Anna Straker tired at navigating the misogyny and ageism in the music industry. Both forged and forced by frustration, in 2023 she created Crybaby as a clubland alter ego. This artistic offshoot a propulsive, unbridled machination of her fearless rave energy and unapologetically feminine and pop sensibilities.

2 months ago | thelineofbestfit.com | Thomas Turner

The Aussie provocateur has already built a legion of loyal followers, crafting the perfect 120-second-long sonic head rushes pumped with not just with an innate and dramatically camp femininity, but also with a healthy dose of machismo in their aggressively rebellious lyricism. Detractors would argue it's not becoming to portray such an irreverent, liberating self-indulgence, but BIG WETT just laughs it off in the style of slut-pop predecessors Kim Petras and Slayyyter.

2 months ago | thelineofbestfit.com | Thomas Turner

Before transgressing their degree of separation – the mutual friend whose rooftop laid stage to their meeting – twenty-somethings Lexie Thomas and Kevin Hyland were both individually guitarists, neurotic, and, funniest of all, looked a lot alike. Two twin flames, connecting over the combined ashes they spewed across a silhoutted New York. It was a year later, alongside an upgrade of their friendship status to neighbours, that the duo formed their indie pop outfit Le Charme.