
Articles
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1 week ago |
japantimes.co.jp | Thu-Huong Ha
In staid and overstuffed Kyoto, every year documentarians come bearing news from beyond the old Japanese capital. This year, despite a grim global outlook, they’ve brought mostly cheerful tidings.
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1 week ago |
japantimes.co.jp | Thu-Huong Ha
From the author who brought you “woman who’s one with a convenience store” and “woman who’s sure she’s an alien,” comes a brand new dystopian adventure — “woman with 40 imaginary lovers.”Sayaka Murata has gained a cult following for speculative stories that start with familiar domestic scenes and spiral out to wild and outlandish conclusions.
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1 month ago |
courrierinternational.com | Thu-Huong Ha
Avant, c’était l’accessoire par excellence de l’homme d’affaires, puis l’agenda papier japonais est tombé en disgrâce au début de ce siècle. Aujourd’hui, cet objet est redevenu une véritable institution et séduit en dehors des frontières de l’archipel. Le papier n’a pas dit son dernier mot, c’est même la star des réseaux sociaux. Un phénomène analysé par le “Japan Times”. Cet article est issu de Courrier Week-end.
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1 month ago |
japantimes.co.jp | Thu-Huong Ha
“The Place of Shells” by Mai Ishizawa, a strange and slim novel of erudition, captures the emotional haze in the aftermath of disaster. Ishizawa’s debut novel, which won one of the three Akutagawa Prizes awarded in 2021, is also her first to be released in English, translated by Polly Barton. It takes place in the summer of 2020, in the months following the global outbreak of COVID-19.
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1 month ago |
japantimes.co.jp | Thu-Huong Ha
On a Sunday morning in January, the Museum of Contemporary Art Tokyo (MOT) in Kiba Park was flooded with bright winter light and a throng of people. Visitors waited in densely packed lines to see “Ryuichi Sakamoto: Seeing Sound, Hearing Time,” billed as the largest solo exhibition dedicated to the composer and musician who died in March 2023. The sign propped by the start of the line read “Wait time: 60 minutes.”The show has been a smash hit, far exceeding the expectations of the curatorial team.
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