Tiffany Luk

Jul 3, 2023 | artasiapacific.com | Tiffany Luk |Marian Paster Roces

Issue Jul 03, 2023 By Tiffany Luk In an art space, the senses typicallyactivated are the visual, auditory,sometimes olfactory, but rarely the haptic. At the 14th Gwangju Biennale, “soft andweak like water,” the inaugural recipient ofthe now-canceled Park Seo-Bo Art Prize,Korean multimedia artist Oum Jeongsoon,presented a work that emphasized thetactile nature of art that is so oftenoverlooked—and usually discouraged.

May 15, 2023 | artasiapacific.com | Tiffany Luk |Janet Gough |Nicholas Thomas

Issue May 15, 2023 By Tiffany Luk Full text also available in Chinese. Churches have long been sites where rituals of life and death took place side by side.

May 15, 2023 | artasiapacific.com | Tiffany Luk |Alessandra Alliata Nobili

中文 May 15, 2023 By Tiffany Luk 教堂長期以來一直是生與死的儀式並存的場所。廢棄的九世紀羅馬教堂Sant'Andrea de Scaphis恰切地成為了台灣裔美國藝術家許鶴溪的最新系列畫作《Pale Green》（2022年）的展覽空間。她作品中特有的刻畫得俏皮生動的人體骨骼，顛覆了死亡莊嚴而嚴肅的色彩。 透過利用框架或裝置，許氏的裝置作品摒棄了繪畫開始和結束的標誌：作品的主體以一條蒼綠色的線條出現，水平地穿過教堂的磚塊和灰泥內部。這一系列的作品包括24幅楓木上的小型油畫，使用了藝術家常用的標誌性綠色調，高度約5.1厘米，寬度從3厘米到243.8厘米不等。...