Articles

  • 3 days ago | timeout.com | Tim Bano

    Photo: Amanda Searle PreviousNext /2 Photo: Amanda Searle PreviousNext /2 Review 4 out of 5 stars Performance artist Dickie Beau follows his brilliant ‘Re-Member Me’ with this not-all-it-seems ‘history of the stage’ Theatre, Experimental Hampstead Theatre, Swiss Cottage 24 Jun12 Jul 2025 Recommended Tuesday 24 June 2025 Facebook Twitter Pinterest Email WhatsApp Buy ticket Advertising Time Out says It’s been more than a decade since Dickie Beau broke through with his uniquely weird shows that...

  • 2 weeks ago | msn.com | Tim Bano

    Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.

  • 2 weeks ago | standard.co.uk | Tim Bano

    Culture | TheatreThis musical telling of the Live Aid story has its moments but fails to hit the heights or delve into the depthsTamara Tare, Jake Small and the cast of JUST FOR ONE DAY - THE LIVE AID MUSICALEvan ZimmermanTim Bano2 minutes agoAnyone remember the biggest concert ever staged in the history of the world?

  • 1 month ago | standard.co.uk | Tim Bano

    Culture | TheatreStephen Sondheim’s weirdest show gets its moment in the spotlightPamela RaithTim Bano1 minute agoThis show is not in a swimming pool. An odd thing to say, because of course most shows are not in a swimming pool, but The Frogs set a high bar when it premiered in 1974 by taking place in Yale University Swimming Pool in a production starring Meryl Streep AND Sigourney Weaver. Ridiculous. Other pool-based productions have followed. But not this one.

  • 1 month ago | standard.co.uk | Tim Bano

    Culture | TheatreImelda Staunton stars opposite her real life daughter Bessie Carter in a George Bernard Shaw production that tends to drag even with huge cutsBessie Carter at Vivie in Mrs Warren’s Profession at the Garrick TheatreJohan PerssonTim Bano1 minute agoWho knows how it worked back then, but George Bernard Shaw was either paid by the word or really bored in the late 1800s because his plays are long.

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