Tim Levy

1 week ago | capturemag.com.au | Tim Levy

FRMEFEST is a two-day content creators summit taking place at Carriageworks in Sydney on 19–20 July 2025. Dedicated to the art and craft of visual storytelling, it brings together photographers, filmmakers, and digital artists for a curated program of workshops, talks, and networking opportunities. The program is designed to encourage practical learning, collaboration and thoughtful discussion about where visual storytelling is headed.

1 week ago | capturemag.com.au | Tim Levy

FRMEFEST is a two-day content creators summit taking place at Carriageworks in Sydney on 19–20 July 2025. Dedicated to the art and craft of visual storytelling, it brings together photographers, filmmakers, and digital artists for a curated program of workshops, talks, and networking opportunities. The program is designed to encourage practical learning, collaboration and thoughtful discussion about where visual storytelling is headed.

1 week ago | capturemag.com.au | Tim Levy

By Tim Levy | 18 June 2025For over three decades, the Centre for Contemporary Photography has been a vital part of Australia’s photographic landscape — a space where image-makers, thinkers, and the public converge to explore the power and potential of contemporary photography. Now, CCP is on the brink of an exciting new chapter: finding a permanent home in Naarm/Melbourne.

3 weeks ago | capturemag.com.au | Tim Levy

In May 2025, Google unveiled Veo 3, the latest evolution of its AI video generation engine — and it’s already sending ripples through creative industries. While much of the public eye remains fixed on the realistic visual possibilities Veo 3 can conjure from mere text prompts, those behind the camera — photographers, videographers, advertisers — are asking a more sobering question: Are we being replaced?

3 weeks ago | capturemag.com.au | Tim Levy

In May 2025, Google unveiled Veo 3, the latest evolution of its AI video generation engine — and it’s already sending ripples through the creative industries. While much of the public eye remains fixed on the realistic visual possibilities Veo 3 can conjure from mere text prompts, those behind the camera — photographers, videographers, advertisers — are asking a more sobering question: Are we being replaced?