
Tim Teeman
Senior Editor and Writer at The Daily Beast
Senior Editor and Writer, @TheDailyBeast. Author: In Bed With Gore Vidal: https://t.co/nBvbuzJYaP
Articles
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6 days ago |
thetimes.com | Tim Teeman
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1 week ago |
thedailybeast.com | Tim Teeman
It is 2018, spring semester, junior year, at Helen County High, the only high school “in a one-stoplight town”—that may soon acquire a second stoplight, we learn—in northeast Georgia. In the opening scene of Kimberly Belflower’s play, John Proctor Is the Villain (Booth Theatre, to July 6), Carter Smith (Gabriel Ebert), who at first seems to be the ideal teacher of young minds—comically ideal almost, so right-on and empathetic, bouncy, and fun—is taking his class through the definition of sex.
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1 week ago |
yahoo.com | Tim Teeman
It is 2018, spring semester, junior year, at Helen County High, the only high school “in a one-stoplight town”—that may soon acquire a second stoplight, we learn—in northeast Georgia. In the opening scene of Kimberly Belflower’s play, John Proctor Is the Villain (Booth Theatre, to July 6), Carter Smith (Gabriel Ebert), who at first seems to be the ideal teacher of young minds—comically ideal almost, so right-on and empathetic, bouncy, and fun—is taking his class through the definition of sex.
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1 week ago |
thedailybeast.com | Tim Teeman
“There are many layers to this particular s**t-show,” director Nigel (Brooks Ashmanskas) says as he tries to restore order to rehearsals for Bombshell, a musical about Marilyn Monroe. He could also be referring to the Broadway musical, Smash (Imperial Theatre, booking to Jan 4, 2026), about the making of Bombshell that is unfolding before our eyes. Is it any surprise that this musical, based on the NBC drama series, is such a bizarre, loopy mess?
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2 weeks ago |
thedailybeast.com | Tim Teeman
Along with the usual Playbills, Manhattan Theatre Club should really supply handkerchiefs and tissues for those attending Sondheim’s Old Friends (Samuel J. Friedman Theatre, booking to June 15). By the end—the result of a closing cascade of Stephen Sondheim’s most wrenching songs—your tears may be flowing extremely freely. This Broadway greatest-hits revue is rooted in the productions Sondheim collaborated on with producer Cameron Mackintosh (who devised Old Friends).
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RT @nytimes: William Finn, the witty musical theater writer behind “Falsettos” and “Putnam County Spelling Bee,” has died at 73. https://t.…

RT @AirMailWeekly: “‘Mincemeat’ is truly the little engine that could.” @TimTeeman @mincemeatbway https://t.co/DtEsKcxCch

RT @FeldmanAdam: Visiting the foundry today that is bringing the New York Drama Critics’ Circle Award plaque back to life this year after m…