
Articles
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1 week ago |
techradar.com | Timothy Coleman |Sam Kieldsen
If you love new camera gear, then 2025 has been a rollercoaster so far, following a string of fabulous and unexpected new models, supply issues and, if you're in the US, price hikes. We’ve reviewed over 25 cameras so far, plus even more lenses and accessories. Unconventional design has been the secret sauce of the camera industry throughout 2025, while world-firsts were on the agenda for the best lens-making department in the business.
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1 week ago |
techradar.com | Timothy Coleman
If there was ever a case for a tripod for photographers and content creators who wouldn't normally consider one, it's the upgraded Heipi 3-in-1 Travel Tripod W28S. It's lightweight, packs away small, and is able to support multiple types of gear in multiple ways. This versatile tripod beats popular rivals, such as the Peak Design Travel Tripod, and the cherry on the cake is that it costs less.
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1 week ago |
techradar.com | Timothy Coleman
Only available for Nikon and Sony (at time of review)The Viltrox AF 50mm F2 Air is a low-fuss, capable and lightweight nifty fifty, and an ideal pick as a first prime lens. It's perfectly balanced for entry-level and mid-range full-frame mirrorless cameras, and produces optical quality that belies its low price. You can expect sharp detail, smooth(ish) bokeh, and a reasonable handle on lens distortions.
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1 week ago |
global.techradar.com | Timothy Coleman |Isabelle Dumonteil
Tim is the Cameras editor at TechRadar. He has enjoyed more than 15 years in the photo video industry with most of those in the world of tech journalism. During his time as Deputy Technical Editor with Amateur Photographer, as a freelancer and consequently editor at Tech Radar, Tim has developed a deeply technical knowledge and practical experience with cameras, educating others through news, reviews and features.
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1 week ago |
techradar.com | Timothy Coleman
• Available for Sony E, Canon RF, Fujifilm X and L-mount systems• It costs $919 / £779 (Australia price TBC) and will be on sale from July 10I remember first casting my eyes on the Sigma 18-35mm F1.8 zoom lens. It was the go-to lens for creatives cutting their teeth in the filmmaking world, and it seemed to be on every low-budget set. It was a cutting-edge lens, in that it offered a bright f/1.8 maximum aperture across its versatile wide-angle zoom range, and it was relatively cheap.
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