Articles

  • 2 weeks ago | architectureau.com | Tom Grant |Elizabeth Farrelly

    Stopping sprawl? It’s a no-brainer. We’ve known this for half a century or more, yet no one will say it. Even professionals are wary of the topic while, for a politician, being photo-opped with an “end to sprawl” placard would be seriously brave, and not in a good way. You can imagine the pile-on. “End of the Australian dream,” headlines would shout. Then again, with the great Australian dream fast becoming a nightmare – unaffordable, unsustainable, inequitable – maybe the time has come?

  • 1 month ago | architectureau.com | Tom Grant |Elizabeth Farrelly

    What, exactly, are the rights of the dead? In particular, what rights do they have to occupy space on a shrinking planet? What claim should they have on our place-making? We think of death as an absence – at least from this world. Architecture, on the other hand, is about the living, the present.

  • 2 months ago | architectureau.com | Tom Grant |Laura Harding

    Around the world, architects are seeking to tackle the housing crisis through pre-ordained, replicable models for innovative low- and mid-rise housing, which are able to be streamlined through planning pathways. The speed and economy of this approach are designed to appeal to a broad range of built environment professionals, but do these benefits stack up?

  • 2 months ago | architectureau.com | Tom Grant |Elizabeth Farrelly

    The TV shows a young couple standing outside a crisp inner-city terrace (“Whether you’re buying your first home…”), before transitioning to a blousy suburban McMansion (“…or housing a growing family…”). It’s an ad for some insurance company, but the unquestioned subtext is: it’s all about growth. If some is good, more is better. Is it, though? Just how out of touch can a cultural propaganda meme be?

  • Feb 25, 2025 | architectureau.com | Tom Grant |Elizabeth Farrelly

    Just when you thought modernism’s Great Man theory of architecture might be safely entombed with the rest of that wildly destructive century, out pops a film like The Brutalist. Not since the 1949 film of The Fountainhead has an architecture flick been more seductive – nor more self-aggrandising, sententious and just plain wrong. Both films promote the misunderstood architect-hero.

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