Tom Smithyman's profile photo

Tom Smithyman

United States

Contributor at Comicon

Articles

  • 1 week ago | wp.me | Tom Smithyman

    Creators Tom Taylor and Daniele Di Nicuolo are reteaming for DC Comics’ new take on the Arthurian legend. The pair, who worked together on Boom Studios’ Seven Secrets, are reuniting for C.O.R.T.: Children of the Round Table, which debuts September 10th. The series centers on a centuries-old elite force known as the Camelot Corps, which has protected ancient secrets until they were needed by the rest of the world.

  • 1 week ago | wp.me | Tom Smithyman

    Overview It’s difficult to pull off a second issue when the first was nearly perfect. Yet the creative team does a good job of moving along this story of competing killers in a small town. The artwork isn’t as great as the previous installment, but with a rotating writer and artist, readers are guaranteed to get something a little different each month.

  • 1 week ago | wp.me | Tom Smithyman

    Overview If you are into beautiful, violent art, this is your book. If you’re looking for more of a compelling story, you are better served elsewhere. Ryan Ottley’s artwork is next level. The only thing holding this new series back is the uninspired writing.

  • 2 weeks ago | wp.me | Tom Smithyman

    It’s been a long time since Something is Killing the Children was really good. When it was good – during the first 20 issues or so – it was amazing! Amazing as in the best series of the decade. Those days are long gone now, it seems. After subjecting readers to an overly long and largely uninteresting story in issues #21-39, writer James Tynion IV seems to be repeating that recent history in the new tale, “All Her Monsters.” This flashback story, now two chapters in, moves at the speed of sloth.

  • 2 weeks ago | wp.me | Tom Smithyman

    Sophomore outings are difficult by any stretch of the imagination. If a creative team has done a good job in the introductory chapter, the second installment must build on it yet still be different enough to keep readers engaged. Blood & Thunder’s introduction was fine – nothing earthshattering story-wise but the imagery was strong – but its follow-up issue can’t decide which path it wants to take. There’s a few flashback sequences. Some derision over immigrants.

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