
Articles
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1 week ago |
boulderweekly.com | Toni Tresca
Courtesy: Rabbit Hole Recreation Services In China, it’s bigger than Dungeons & Dragons and easier to find than a McDonald’s. But in the U.S., Jubensha — a character-driven mystery game that began taking off just a decade ago — has flown almost entirely under the radar. That’s beginning to change, thanks to Rabbit Hole Recreation Services, a Louisville-based entertainment company launched in 2018.
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1 week ago |
westword.com | Toni Tresca
That’s what makes Pericles: An Adaptive Performance for People with Cognitive Disabilities so revolutionary. "There is so much language around theater companies being 'safe spaces' at the moment but this work actually is a safe place," says Pericles assistant director Natasha Haward. "It’s a space where it doesn’t matter who you are or what you’ve been through.
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1 week ago |
westword.com | Toni Tresca
Immersive creator James Lopez has long been drawn to places where history runs just beneath the surface, and few places hold more untold stories than Denver’s Auraria Campus. Growing up in Greeley, Lopez said he felt disconnected from his cultural roots, a result of generations being encouraged to assimilate for safety. That personal longing for connection led him to Auraria, where cultures once thrived at the confluence of two rivers before being displaced as Denver grew.
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2 weeks ago |
westword.com | Toni Tresca
It began as a small production by the rebellious British Columbia-based theater company, Atomic Vaudeville, in 2008 — a quirky little musical about six dead teenagers stuck in limbo after a roller coaster crash, vying for a second chance at life. With its mix of absurdist humor, heartfelt ballads and genre-hopping songs, Ride the Cyclone quickly snowballed into a cult favorite, propelled by viral TikToks and a fiercely devoted fan base.
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2 weeks ago |
westword.com | Toni Tresca
For HOLDTIGHT, the Denver-based experiential dance theater company, art has never been something you just watch — it spills into the senses, inviting participants to taste, move, listen and feel their way through an experience. Food becomes choreography, storytelling becomes sustenance and audiences are co-creators in the moment.
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