Articles
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1 month ago |
entertainmentvoice.com | Tony Sokol
Netflix’s “Adolescence” is a major step forward for crime dramas, both in streaming and theatrical releases. The most basic premise, a teenager accused of killing a classmate, is familiar territory for the genre. Written by Jack Thorne and Stephen Graham (who plays Eddie Miller, the chief suspect’s father), and directed by Philip Barantini, this four-episode limited series sets a new standard.
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Dec 5, 2024 |
entertainmentvoice.com | Tony Sokol
Australian director Justin Kurzel’s “The Order” is a throwback to unsung classic federal police procedurals of the 1980s, including underlying social messaging, and emotionally fractured law enforcement personnel. Jude Law plays Terry Husk, a respected FBI agent who put in more than his dues. Nicholas Hoult channels Bob Mathews, an all-too-real militant planning to disrupt the government in 1984 in a plot that is years in the making.
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Dec 5, 2024 |
entertainmentvoice.com | Tony Sokol
Double lives, political intrigue, targeted murders, and Parliamentary cocktail receptions are just another Wednesday in Netflix’s suspenseful and convoluted new series “Black Doves.” The rest of the week tends to escalate for the operatives at the center of this London-based espionage drama. Created by Joe Barton, the fast-moving first season collides with as many genre tropes as the cover-ups it offers. Keira Knightley adds to her impressive roles of formidable professionals with lethal skills.
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Nov 22, 2024 |
entertainmentvoice.com | Tony Sokol
Prolific playwright August Wilson was one of the most ingenious storytellers. The cinematic adaptation of his Pulitzer Prize-winning “The Piano Lesson,” the fifth play in Wilson’s cycle surrounding Pittsburgh, uses horror as conflict resolution. This story is about a former sharecropper, Boy Willie Charles (John David Washington), who wants to sell his sister Berniece’s (Danielle Deadwyler) piano to buy land to farm.
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Nov 17, 2024 |
entertainmentvoice.com | Tony Sokol
Taylor Sheridan’s latest series, “Landman,” weaves a complex, soapy story built around the West Texas oil industry. Its central character, Tommy Norris (Billy Bob Thornton), is a complicated character, and only likable to a certain extent. Certain breeds of people thrive on pressure. One of Norris’ functions is to keep combustible steam-leakage in check on oil excavation rigs, and this man in charge of such dangerous disasters is a tightly wound screw waiting for a spark. Pressure feeds Tommy.
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