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Travis Hopson

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Articles

  • Jan 16, 2025 | punchdrunkcritics.com | Travis Hopson

    Is there anyone out there who doesn’t love Friday, the 1995 “one day in the ‘hood” comedy that made Ice Cube and Chris Tucker pot-smokin’ legends? Hell no, and everybody says they want comedies to be as good as Friday. Heck, even the Friday sequels couldn’t measure up. Not to say that One of Them Days is on that level, either, but Keke Palmer and SZA are the closest thing to Craig and Smokey that we’ve seen in a long time.

  • Jan 15, 2025 | punchdrunkcritics.com | Travis Hopson

    The Universal Monsters will never die. We know this to be true, because Universal has been making movies with Dracula, Frankenstein’s Monster, Wolf Man, the Invisible Man, and the Creature from the Black Lagoon literally for over one hundred years, and they’ve endured some pretty bad sequels, remakes, reimaginings, and the like.

  • Jan 11, 2025 | punchdrunkcritics.com | Travis Hopson

    I hated Marianne Jean-Baptiste’s insufferable character Pansy in the first five minutes of Mike Leigh’s Hard Truths. That’s okay. He wants us to hate her. But he also wants us to wonder about her and what it is that drives her to be so miserable, a plague on anything good and decent, the human embodiment of doom scrolling. Leigh’s films often focus on singularly annoying figures who practically exist in a world outside of our own. Think Sally Hawkins’ eternally cheerful Poppy in Happy-Go-Lucky.

  • Jan 10, 2025 | punchdrunkcritics.com | Travis Hopson

    Disfluency. It’s not a word you hear in everyday conversation. It’s the interruption, the disruption in the flow of a person’s speech. Anna Baumgarten couldn’t have chosen a better title for her confident coming-of-age drama, a powerful film about trauma and how it disrupts the flow of everyday life, and makes it hard to communicate our true feelings to the people we love.

  • Dec 11, 2024 | punchdrunkcritics.com | Travis Hopson

    Set around 200 years prior to events seen in Peter Jackson’s live-action Middle-Earth trilogy, The Lord of the Rings: The War of the Rohirrim should be a treat for the many Tolkien fanatics who feel Amazon’s The Rings of Power just isn’t enough. Directed by Kenji Kamiyama with a heavy anime influence, this shouldn’t be seen as some kiddie version of the brutal battles of good and evil we’ve grown accustomed to.

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