
Articles
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1 month ago |
1stdibs.com | Trent Morse
For an elegant apartment overlooking the Hudson River, the design team at Ries Hayes envisioned a vibrant living room within an intimate footprint. “Our approach to designing a pied-à-terre begins with a deep dive into our clients’ preferences,” says firm cofounder David Ries.
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2 months ago |
1stdibs.com | Trent Morse
Romare Bearden’s lively artworks celebrate the African American experience in all its complexity — a story pieced together with the same deliberate care and ingenuity he used in crafting his well-known collages. Through his imaginative merging of photomontage, figure painting and abstraction, Bearden captured the essence of Black life in America. His works are both personal and universal, melding influences to create an aesthetic that was wholly his own.
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2 months ago |
1stdibs.com | Trent Morse
Marlon Mullen’s Desert with Cactus (1997) draws viewers into a landscape that’s both familiar and unknowable. The painting’s biomorphic forms — perhaps there’s a cactus, perhaps a canyon, perhaps an adobe sweat lodge, maybe something else entirely — are rendered in thick layers of acrylic paint on paper. Mullen uses just four eye-catching colors, colliding in deep contrast: stark white, jet black, milk-chocolate brown and bubble-gum pink.
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2 months ago |
1stdibs.com | Trent Morse
When it comes to names of art movements, there are those that sound exactly like what you see: Impressionism, Abstract Expressionism, Pop art. Others lodge in the mind because of their strangeness: Dada, Ashcan School, the Blue Rider. And some are more cryptic, neither clearly descriptive nor particularly memorable: fauvism, postmodernism, Op art. Orphism would fall into the last camp.
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Nov 8, 2024 |
1stdibs.com | Trent Morse
In 2018, Douglas Gold’s parents were moving house in Bellmore, New York, and decided to have a tag sale. Among the items they’d hoped to unload were a few exceptional paintings, so they hired Eli Sterngass as their art appraiser to choose the best ones to advertise. Sterngass had one free day between ending his job at Questroyal Fine Art, a gallery specializing in 19th- and 20th-century American paintings, and starting a new one at the art-appraisal firm Gurr Johns.
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