Articles

  • 1 month ago | dailymail.co.uk | Adrian Thrills |Tully Potter

    LADY GAGA: Mayhem (Interscope)Verdict: Gaga gets the party startedRating:Despite her reputation as a madcap pop diva, Lady Gaga has (whisper it) been playing it a little safe of late. The last we heard from her, she was faithfully reworking such vintage jazz standards as Smile and That's Life on Harlequin, a companion album to her big screen role in psychological thriller Joker: Folie à Deux.

  • Jan 10, 2025 | thestrad.com | Tully Potter

    A journey down memory lane in the company of a great violinist The Strad Issue: January 2025 Description: A journey down memory lane in the company of a great violinist Musicians: Mischa Elman (violin) New Symphony Orchestra/Lawrance Collingwood, London Symphony Orchestra, chamber orchestra/John Barbirolli Works: Bach: Violin Concerto BWV1042. Beethoven: Romances nos.1 and 2. Tchaikovsky: Violin Concerto.

  • Oct 4, 2024 | thestrad.com | Tully Potter

    A great British violinist is celebrated in fitting style The Strad Issue: October 2024 Description: A great British violinist is celebrated in fitting style Musicians: Isolde Menges (violin) Harold Samuel, Eileen Beattie, Charlton Keith and Arthur de Greef (piano) Royal Albert Hall Orchestra/Landon Ronald; orchestra/Malcolm Sargent Works: Bach: Solo Violin Sonata BWV1001 – Fugue; Partita BWV1004 – Chaconne; Violin Sonata BWV1016. Beethoven: Violin Concerto.

  • Sep 6, 2024 | thestrad.com | Tully Potter

    A revered Hungarian violinist celebrated as soloist and chamber musician The Strad Issue: September 2024 Description: A revered Hungarian violinist celebrated as soloist and chamber musician Musicians: Zoltán Székely (violin) Géza Frid (piano) Hungarian Quartet; Hague Residentie-Orkest/Willem van Otterloo Works: Bartók: Romanian Folk Dances (arr.

  • Aug 9, 2024 | gramophone.co.uk | Tully Potter

    When we invoke the Viennese violin style, we are really speaking about one man, Fritz Kreisler. Others with a similarly lilting way of playing, such as Erica Morini, Willi Boskovsky and today’s Rainer Honeck, have cheerfully trundled along in his wake. In Kreisler’s hands, the violin had a unique voice: it did not just sing, it radiated a spectrum of hues, distilling a blend of warmth and sweetness that was rarely cloying, because it was so musically deployed.

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