
Articles
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1 month ago |
northwestend.com | Wendy McEwan
Jennifer Reid performs nineteenth-century Lancashire dialect and Victorian broadside ballads. She comes from Rochdale, “but I admit it”. Reid sings unaccompanied throughout the evening but provides percussion for one of Carthy’s songs in the form of clog dancing. Eliza Carthy describes herself as a “modern English musician”. She sings centuries-old traditional songs, and more modern pieces including her own compositions. She mostly sings unaccompanied and occasionally brings out her fiddle.
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1 month ago |
northwestend.com | Wendy McEwan
The Flames is a performance company for people over the age of fifty. Each member of the ensemble (I counted approximately 22) tells a moving story from their own past. The theme of the stories is ikigai, a Japanese term often translated as “purpose”. Ikigai is about the things that bring value and meaning to life.
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2 months ago |
northwestend.com | Wendy McEwan
I’m not especially familiar with jazz, and if I’d heard this music on the radio, I wouldn’t have got it. It turns out that jazz makes more sense when you experience a live performance, and my ears begin to tune in to its language. It reminds me of the first time I saw Shakespeare performed. The gathering feels cosy, in the informal setting of the Traverse bar. I am struck by the intense concentration of each musician when the others are playing.
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Jan 12, 2025 |
northwestend.com | Wendy McEwan
The BA Dance and Drama students from PASS showcase their artistry in two ensemble pieces, created in collaboration with Dance Base. First up, the cryptically titled YGNEREME. The blurb in the programme talks about grief, collective action and emergency. A single dancer, Clara Browning, moves playfully in a spotlight, but then something changes and she is swept away by the collective. Assimilated, if you like.
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Oct 21, 2024 |
northwestend.com | Wendy McEwan
Nigeria’s population is overwhelmingly young, and unemployment is high. Amidst the hardship, dance is a popular creative outlet, and many young Nigerians share their talents through videos on social media. In 2014, Qudus Onikeku returned to his home city of Lagos, having achieved acclaim as a choreographer in France. He was inspired by the abundance of creative talent, and invited some dancers to a workshop.
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