Wendy Vogel

Mar 12, 2025 | frieze.com | Wendy Vogel

Amid the visual overwhelm on display in Laura Owens’s eponymous exhibition, which spans two of Matthew Marks Gallery’s Manhattan spaces, an abiding image is the candy cigarette. Within the reception desk – itself an artwork, Untitled, 2025 – at 522 West 22nd Street, the artist has stashed several hand-painted faux cigarette cartons.

Oct 12, 2023 | artforum.com | Chus Martínez |Mateus Nunes |Wendy Vogel |J. HOBERMAN

I REMEMBER MY FIRST STUDIO VISIT with Lin May Saeed like it was yesterday. I’m always a little nervous when I make a studio visit. After all, it is a vulnerable exchange to share works-in-progress in a private space with someone you don’t know yet. At first, she was as shy as I was, which established a bond between the two of us right from the start.

Oct 5, 2023 | artforum.com | Wendy Vogel

Knots of language—funny, intimate, sordid, psychoanalytic—fill Kaari Upson’s drawings. This exhibition, “Body as Landscape,” features thirteen works on paper from the Los Angeles artist’s too-brief artistic career (she died in 2021, at age fifty-one). Operating as mind maps, script-like brainstorms, sculptural plans, and stand-alone objects, they chart Upson’s obsessions.

Oct 5, 2023 | artforum.com | Wendy Vogel

Liz Magic Laser on hysterical crisis and alternative healing Whether working in guerrilla theater or traditional gallery presentations, Liz Magic Laser has devoted her practice to exploring the production of belief.

Sep 19, 2023 | artreview.com | Wendy Vogel

Carmen Winant’s new exhibition raises the question, what type of abortion imagery is radical now? Artist Carmen Winant is known for photographic collages that visualise labour and the feminist networks that support it. My Birth (2018) featured over 3000 images of birthing culled from books, magazines and other printed sources.