
William Cook
Articles
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Nov 11, 2024 |
theoldie.co.uk | William Cook
Talbot House, the soldiers' WWI refuge set up by an inspirational army chaplain, is on the verge of closing down for good thanks to coronavirus. William Cook visits the refuge from Passchendaele Just over a hundred years ago, here in the flat, windswept fields of Western Flanders, Britain embarked upon the bloodiest and most futile battle of the First World War.
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Nov 11, 2024 |
theoldie.co.uk | William Cook
‘Gentlemen, you can’t fight in here – this is the War Room!’ Stanley Kubrick’s dark, delicious Cold War satire turns 60 this year. This assured, imaginative stage version brings his apocalyptic film bang up to date. Sean Foley’s production doesn’t tamper with the 1960s setting. We’re still in 1964, in the aftermath of the Cuban Missile Crisis. Ten years ago, it might have seemed like a quaint period piece. Yet with Russia on the warpath again, it now feels horribly topical.
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Oct 7, 2024 |
theoldie.co.uk | William Cook
Almeida Theatre, London, until 23rd November Kenneth Tynan said he could not love anyone who did not want to see Look Back in Anger. I would find it very hard to love someone who wanted me to watch this infuriating play again. My loathing for Look Back in Anger dates back only to last night, when I saw it performed on stage for the first time in 40 years.
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Aug 13, 2024 |
theoldie.co.uk | William Cook
I’m standing in a crowded souk in the bustling centre of Marrakech, watching my 81-year-old mother haggling over a pretty Moroccan plate. It’s hard to hear above the frantic hubbub, but I can tell she’s doing a lousy job. The trick is to get the seller to name a price, offer a third as much and settle for just under half, but my mother is far too polite to haggle. She ends up paying almost the asking price. The vendor can’t believe his luck. Never mind. It’s only a few quid.
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Jul 17, 2024 |
theoldie.co.uk | William Cook
Stratford-upon-Avon, until 6th September ‘There’s no possibility of being witty without a little ill nature,’ wrote Richard Brinsley Sheridan (1751-1816). This flamboyant rendition of his greatest play confirms his shrewd maxim. In our woke new world of cancel culture, where the slightest faux pas can end in ignominy, Sheridan reminds us that causing offence is a fundamental part of art and life.
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