William Jaeger

2 weeks ago | timesunion.com | William Jaeger

We think we know what collage is: cutting up some magazines and pretty paper with scissors and gluing it into a new picture. It’s not so simple at “Telepathic Jungle,” a rousingly colorful, bright show of new works using “collage processes” at Skidmore’s Schick Art Gallery. Bring your sunglasses. Much of the show, it turns out, is three-dimensional.

3 weeks ago | newportnewstimes.com | William Jaeger

Among renewable natural resources, ocean fisheries and groundwater aquifers are arguably the most difficult to manage. They are also very similar: both are hidden below the surface; both are highly variable and uncertain; both are typically exploited by many users in different locations; and both support people’s livelihoods directly and indirectly, and benefit other stakeholders, species, and ecosystems. Both resources also have a history of failures.

3 weeks ago | cgsentinel.com | William Jaeger

Among renewable natural resources, ocean fisheries and groundwater aquifers are arguably the most difficult to manage. They are also very similar: both are hidden below the surface; both are highly variable and uncertain; both are typically exploited by many users in different locations; and both support people’s livelihoods directly and indirectly, and benefit other stakeholders, species, and ecosystems. Both resources also have a history of failures.

3 weeks ago | timesunion.com | William Jaeger

The 1970s artwork of female trailblazer Ree Morton is so connivingly subtle and deft it ends up dazzling. And yet it also does remain rather quiet, as if whispering, as if so self-assured it only needs to give the broad, friendly outlines of ideas. These are then puffed up with some words or dotted lines as if they are very interior thoughts that have escaped, untrammeled.

1 month ago | timesunion.com | William Jaeger

Osman Khan’s multigallery show, “Road to Hybridabad” at MASS MoCA, seems to start by just having fun. His multistation installation whirls and melds old and new, high tech and lowbrow, Pakistan and the United States, fine art and whimsy. This is fun in a way that kids think of it: bright colors, links to fables, a bit of playful surprise. But beneath all the cheerful colors and perky contemporary references are hints of serious social commentary.