Articles

  • Jan 13, 2025 | filmhounds.co.uk | William Stottor

    Italy, 1944. World War Two continues to rage on. Its violent, destructive grasp reaches the quiet, picturesque, snow-covered mountain village of Vermiglio in ways that are both subtle and drastic. In many aspects, the village is typical of that era, but the ghostly, almost comatose faces of young men returning from war give the setting and film that extra depth.

  • Dec 30, 2024 | loudandclearreviews.com | William Stottor

    Luchino Visconti’s masterpiece, Rocco and His Brothers, is a breathtaking tapestry of staggering depth and detail, charting the deterioration of a large family in Milan.

  • Dec 16, 2024 | loudandclearreviews.com | William Stottor

    Another year of movies, another unforgettable year of original film scores. We rank the top 10 to come out of 2024. Take a look at our list below and see what the best score of the year is!This year’s best original scores are a wonderfully varied bag, including legendary composers such as Tim Burton and Hans Zimmer alongside exciting newcomers like Umberto Smerilli.

  • Nov 29, 2024 | loudandclearreviews.com | William Stottor

    The synopsis of Wild Strawberries might seem straightforward, but Ingmar Bergman constructs a startling, poignant, and ambiguous portrait of old age and death. Director: Ingmar BergmanGenre: Drama, Romance, Psychological DramaRun Time: 92′Original Title: SmultronställetU.K. Release: October 1958U.S. Release: June 22, 1959Where to Watch: on digital & VOD and on DVD & Blu-RayIt is fitting that Victor Sjöström, one of the great actors of the silent era, plays the lead role in Wild Strawberries.

  • Nov 21, 2024 | loudandclearreviews.com | Akash Deshpande |Ben Sears |Hayley Croke |William Stottor

    The ending of Aftersun conveys Calum’s painful emotional state as he walks away from Sophie: here’s the last scene of the film explained!Aftersun is one of the most acclaimed films of this decade, which also earned an Oscar nod. Since it was a debut feature, it came as a pleasant surprise at the time of its release. Scottish filmmaker Charlotte Wells, who had written and directed three short films before she made the movie, decided to turn her personal story into her feature directorial debut.

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