
Articles
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1 week ago |
independent.co.uk | Xan Brooks
Inside FilmThe Nazi propagandist is seen in a startling new film repeatedly refusing to talk about her relationship with Hitler – and it’s the kind of upset that has always fuelled cinema’s very best documentaries, writes Xan BrooksI don’t want to talk about it,” Leni Riefenstahl used to say when she was asked about her past. The German director was happy to discuss her pioneering cinematic techniques, her trailblazing credentials and her redemptive later work with the Nuba people of Sudan.
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3 weeks ago |
msn.com | Xan Brooks
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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3 weeks ago |
msn.com | Xan Brooks
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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3 weeks ago |
independent.co.uk | Xan Brooks
The End, a new musical film starring Tilda Swinton, explores humanity's last days in an underground bunker after a climate change-induced apocalypse. Director Joshua Oppenheimer uses the apocalypse setting to examine themes of guilt, denial, and the human capacity for self-destruction. The film reflects a trend in "cli-fi" cinema, focusing on the bleak realities of climate breakdown rather than alien invasions or other external threats.
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3 weeks ago |
independent.co.uk | Xan Brooks
Inside FilmFrom ‘The Day the Earth Stood Still’ and ‘Planet of the Apes’ to ‘Deep Impact’ and ‘Don’t Look Up’, nothing seems to bring audiences together faster than a glimpse at the end of the world. As Tilda Swinton sings through the apocalypse in her new film, Xan Brooks dives into cinema’s most curious lineageIt has been showered with meteors and blitzed by the Bomb, eaten by fauna and throttled by flora.
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The Catchers is longlisted for the 2025 @RSLiterature Ondaatje Prize. Delighted & honoured & my god, what a lineup.

We’re pleased to announce the 2025 Ondaatje Prize longlist, a collection of 15 books that span a multitude of different genres and forms, all united by their excellence in evoking the spirit of a place. The upcoming shortlist will be revealed on Monday 28 April. https://t.co/MuPY56WE1d

For @Independent, on The End & the undying appeal of apocalypse cinema https://t.co/we44VwTPvV

RT @Stephen_May1: Woah!