Articles

  • May 22, 2024 | nightmare-magazine.com | Wendy Wagner |Xander Odell

    After reading “like blood on the mouths of death,” I let it sit in my imagination for a few days, savoring the language and imagery. It wasn’t until the second reading that I began to unravel the complex realities of childhood, death, and the ravages of the unseen. What can you tell us about the inspiration behind the story? This story breathes close to my heart. I lost my mother to cancer in 2012, and years later, the perseverance of that grief pushed me to write this piece.

  • May 8, 2024 | nightmare-magazine.com | Wendy Wagner |Xander Odell

    Readers may already be familiar with the concept of epistolary stories, those told in the form of letters or diary entries, yet it’s not often we find stories written in response to, or as part of, a larger fictional work. “An Offering from the Void” is one of these rare stories and the voice and form were perfect for the narrative. Tell us something about what inspired this dark, lurid introduction to a fictional work. Thank you! This story has two sources of inspiration.

  • Apr 10, 2024 | nightmare-magazine.com | Wendy Wagner |Xander Odell

    The text “There are three children jumping over a can outside a bodega” begins the story even though, as a title, it’s not a direct part of the narrative. Why did you choose this particular opening and title? Did the idea come to you with the story’s inception, or did it happen with later edits? I like to start my short stories by immediately taking a plunge with my audience, a phrase or a certain voice or tone that lets them know what kind of tale they’re getting into and to trust this voice.

  • Mar 20, 2024 | nightmare-magazine.com | Wendy Wagner |Xander Odell

    Tell us a bit about the inspiration behind “Our Very Best Selves!”. I think it started out in my head with the scene where the eyeball falls out of Muniza’s socket, and this almost sitcom style uh-oh moment where there’s just the worst person in the world witnessing that. The shame of falling apart while under intense, unsympathetic scrutiny. Then I got to thinking: what are the emotional stakes of that situation? Why is it embarrassing or dangerous?

  • Mar 6, 2024 | nightmare-magazine.com | Wendy Wagner |Xander Odell

    There is a difference between the horror of the unexpected or unknown and the very real horrors lurking in the shadows of the everyday, the ones we know are there no matter how we try to deny them. “Second Deaths” opens with one such horror and you thrust the reader into that room with Chuck, filth and all. What made you decide to open with this particular scene? Was it to establish the character or make the later horrors all the more gruesome? I like grimy stuff.

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