Yossy Mendelovich

Israel

Founder and Author at YMCinema

רבע מליון סטודנטים , 17,000 מרצים ומתרגלים , 60,000 חוות דעת מכל האוניברסיטאות והמכללות בישראל

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Articles

Nikon Z5II: The Budget-Friendly Full-Frame Camera for Filmmakers

2 months ago | ymcinema.com | Yossy Mendelovich

Nikon has just unveiled the Z5II, an upgrade to its entry-level full-frame mirrorless camera, offering an affordable yet powerful tool for filmmakers. With a 24.5MP FX-format CMOS sensor, EXPEED 7 image processor, UHD 4K video recording, and 5-axis sensor-shift vibration reduction, the Z5II is set to become a favorite among indie filmmakers and content creators. But how does it stack up against the more advanced Z6 III? More importantly, is the Z5II the best option for budget-conscious filmmakers?
ARRI's Strategic Shift: Innovating for the Future of Media & Entertainment

2 months ago | ymcinema.com | Yossy Mendelovich

ARRI, a name synonymous with cinematic excellence, has long been a leader in the film and media production world. Known for its top-tier camera systems, innovative lighting technology, and high-end production gear, ARRI’s products have been the gold standard for filmmakers worldwide. But in a rapidly changing industry where AI, cloud technology, and virtual production are becoming more integral, ARRI is pivoting to ensure it stays ahead of the curve.
ARRI ALEXA 265 is Netflix Approved: The ‘Secret’ Revealed Through an April Fool’s Prank

2 months ago | ymcinema.com | Yossy Mendelovich

In an unexpected and ironic twist, the ARRI ALEXA 265 has been revealed to be in active use on major Netflix productions, despite not yet appearing on the official Netflix Approved Camera List. This revelation emerged in the wake of an April Fool’s joke, which humorously suggested that Netflix had rejected the camera due to technical concerns.
Blackmagic Unveils Readout Speeds for the URSA Cine 17K 65: What It Means for Filmmakers

2 months ago | ymcinema.com | Yossy Mendelovich

Blackmagic Design has officially published the readout speeds of its groundbreaking URSA Cine 17K 65, shedding light on the sensor’s performance and its impact on high-resolution cinematography. Readout speed is a critical factor in digital filmmaking, influencing rolling shutter effects and motion rendering. With its staggering 17K resolution, this camera sets a new standard in digital cinema, but how does it compare to other large-format sensors?
DJI Slashes Ronin 4D Price by $1,800 – Plus, RAW is Now Practically Free! - Y.M.Cinema Magazine

2 months ago | ymcinema.com | Yossy Mendelovich

DJI has just made a bold move by drastically cutting the price of its flagship cinema camera, the Ronin 4D. The 6K version of the camera now costs $4,999, a staggering $1,800 less than before. On top of that, the ProRes RAW license, which was originally priced at $980, has now been reduced to a mere $1.
Netflix Rejects ARRI ALEXA 265 from Approved Cameras List – Here’s Why - Y.M.Cinema Magazine

2 months ago | ymcinema.com | Yossy Mendelovich

In a surprising and unprecedented move, Netflix has officially declined to approve the ARRI ALEXA 265 for use in its Original 4K productions. The decision, which has sent shockwaves through the filmmaking community, is reportedly based on the camera’s unconventional sensor architecture and Netflix’s evolving content strategy. ARRI’s latest flagship camera, the ALEXA 265, was announced in late 2024 as a revolutionary leap in digital cinematography.
Christopher Nolan’s The Odyssey: Where Are the Next-Gen IMAX Cameras?

2 months ago | ymcinema.com | Yossy Mendelovich

Christopher Nolan’s much-anticipated film The Odyssey has been making headlines, not only for its rumored connections to Interstellar but also for its highly anticipated use of next-generation IMAX film cameras. However, recent behind-the-scenes footage from the ongoing principal photography tells a different story—one that contradicts previous reports and raises intriguing questions about the state of IMAX’s latest technology.
Should You Buy the RED Komodo After Its Drastic Price Drop?

Mar 30, 2025 | ymcinema.com | Yossy Mendelovich

The RED Komodo has been one of the most unique cinema cameras in the market since its release in 2020. Originally positioned as an entry-level RED camera for independent filmmakers and as a compact crash cam for high-budget productions, the Komodo has gained a cult following. Now, with RED slashing its price by roughly $2,000—bringing it down to just $2,995—the question arises: should you buy one? The short answer: absolutely. Let’s break down why this price drop makes the Komodo an unbeatable deal.
Sony VENICE Extension System Mini: A Revolution in Compact Cinema?

Mar 27, 2025 | ymcinema.com | Yossy Mendelovich

Infinity—a word that symbolizes unlimited creative possibilities. Sony has continuously supported the cinema industry by listening to the voices of cinematographers worldwide. From Hollywood blockbusters to independent productions, Sony’s CineAlta cameras have been at the forefront of digital cinematography.
RED Komodo's Drastic Price Drop

Mar 26, 2025 | ymcinema.com | Yossy Mendelovich

RED Digital Cinema has just made an unprecedented move in the high-end cinema camera market by slashing the price of the RED KOMODO from $5,995 to just $2,995. This dramatic $2,000 price drop significantly reshapes the accessibility of professional-grade filmmaking tools, making RED’s globally respected technology available to an even broader range of filmmakers. For years, RED cameras were associated with premium pricing, catering mainly to big-budget productions.