Ain't It Cool News

1 month ago | aintitcool.com | Eric McClanahan

When I received an email asking me if I wanted to watch a brand new independent film starring John Travolta, Gina Gershon, and Lukas Haas, my first instinct was to say no. When I was told I might be able to interview Gina Gershon, I said sure, and watched Ives’ HIGH ROLLERS. What follows was my experience: This film isn’t good, you guys, but I did watch the whole thing, not only because I had to. It’s a caper, and once I get into a caper, I can’t walk away.

1 month ago | aintitcool.com | Eric McClanahan

Hello all! McEric here with a quick review of two (new) releases hitting the market this St. Patrick's Day Weekend, both of which I actually enjoyed. First was RAGING MIDLIFE, a movie that was pitched to me as starring Paula Abdul (I'm a massive fan), Eddie Griffin (DOUBLE TAKE), Walter Koenig (STAR TREK), and Motch O. Mann, the world's foremost Macho Man Randy Savage impersonator. Yeah, I hear it, too. Luckily, I didn't read any further.

1 month ago | aintitcool.com | Eric McClanahan

Director Simon West should be a household name; his first film was a little picture from 1997 called CON AIR. Perhaps you've heard of it? He went on to helm similar big budget action extravaganzas, such as 2001's LARA CROFT: TOMB RAIDER and 2012's THE EXPENDABLES 2. Eventually, however, time and changing tastes caught up with West, and now he's directing smaller budget flicks, from action to drama, that move at a slightly slower pace and appeal to a different audience.

1 month ago | aintitcool.com | Eric McClanahan

Edward Burns made quite the impression after winning the Best Picture prize at the Sundance Film Festival with his 1995 masterpiece THE BROTHERS MCMULLEN, signifying the emergence of a new and singular voice.

2 months ago | aintitcool.com | Eric McClanahan

Parenthood is sacrifice, and that is the message behind the latest horror film from filmmaker Michael Cummings, aka Spider One of Powerman 5000, aka Rob Zombie's brother. As he puts it in his director's statement: "In the film, Mindy’s relationship with her monster, Agyar, is clearly my allegory for parenthood. His bitesare her pain. His words are her insecurities. His intentions are to prove Mindy’s failure as a parent.