Art & Object

2 weeks ago | artandobject.com | Abby Andrulitis

Nick Út speaks with the press, 2016. License This was the image that established photographer Huynh Cong “Nick” Út, 21 years old at the time of the photo’s capture, as an icon of photo journalism. The photo landed on the front page of the New York Times just one day after it was taken, and in 1973, the image ended up winning the Pulitzer Prize and World Press Photo of the Year.

3 weeks ago | artandobject.com | Megan Robinson

Installation view, Acaye Kerunen: Neena, aan uthii, 15 January – 22 February 2025, Pace Gallery, London.   Kerunen’s beautifully designed textile installation pieces–created from components meticulously crafted by community weavers, who are mostly women and artisans–center art making and environmental connection, while subverting and deconstructing attitudes about fine art versus craft, colonialism, racism, and sexism.

3 weeks ago | artandobject.com | Paul Laster

Featuring more than 65 galleries from 25 countries, the 13th edition of Frieze New York returned to The Shed May 7th through the 11th with art from around the globe, a performance-centered program spilling over to The High Line, and a partnership with non-profits, including the Artist Plate Project, which showcased over 50 limited-edition plates by renowned artists that raised more than $500,000 for the Coalition for the Homeless.

1 month ago | artandobject.com | Abby Andrulitis

Yale Repertory Theatre, New Haven, CT, 2024. License The emails explain that the grantmaking policies are being updated, so that they can channel more funding into projects that "reflect the nation's rich artistic heritage,” prioritized by Trump. Thus, everything that falls outside these parameters will likely lose its support.

1 month ago | artandobject.com | Megan Robinson

Antebellum Pink, 2024, Fabric and Industrial Wool, 14 H x 38 W x 38 D in., 36 H x 95 W x 95 D cm. Combining discarded housewares and industrial waste such as coffee mugs, CDs, steel pipes, and spandex in unusual and unlikely ways, Celeste investigates the connections between humans and the environment. She draws visual parallels between vertebrae and coffee cups, sea shells and spandex, creating compelling new realities that seem strangely new and familiar.