Australian Photography Digital

3 weeks ago | australianphotography.com | Tim Levy

By Tim Levy | 15 May 2025Michael Coyne is an acclaimed, multi-award-winning Australian photojournalist whose career has spanned decades, capturing everything from conflict and displacement to cultural identity. His work has graced the pages of Newsweek, Life, Time, National Geographic, and The New York Times to name but a few publications.

3 weeks ago | australianphotography.com | Mike O'Connor

By Mike O'Connor | 14 May 2025Last year, I reviewed EcoFlow’s River 2 power station—a compact and portable unit designed to power low-draw devices like laptops, smartphones, and other everyday electronics. It was easy to charge, versatile, and well-suited for a variety of use cases. I came away genuinely impressed. As someone who had done a fair bit of camping without a reliable power source, the River 2 quickly became an essential part of our family’s car camping setup.

1 month ago | australianphotography.com | Tim Levy

By Tim Levy | 30 April 2025Canon has announced the $399 RF 75-300mm f/4-5.6, a telephoto zoom lens designed for entry-level users of the EOS R System. The lens is aimed at those starting out in nature and sports photography, and it is considerably cheaper than the $17,499 RF 100-300mm f/2.8L IS USM lens. Interestingly, it seems like it is a direct copy of the EF-mount 75-300mm f/4-5.6 III (which is still currently on sale for $299), dating from April 1999.

1 month ago | australianphotography.com | Tim Levy

By Tim Levy | 30 April 2025Epson has introduced a pair of new wide-format inkjet printers aimed at creatives seeking top-tier output. The SureColor P7370 supports prints up to 24 inches wide (61 cm), while its sibling, the SureColor P9370, handles widths up to 44 inches (112 cm). According to Epson, both models cater to the needs of professional photographers, fine artists, and graphic designers, delivering “exhibition-quality prints” at more than double the speed of their predecessors.

1 month ago | australianphotography.com | Tim Levy

By Tim Levy | 24 April 2025Hot on the heels of the recently released Sony FE 28-70mm F2 GM lens is Sony's new FE 50-150mm F2 GM. Weighing in at 1,340g, the lens features a constant aperture of f2.0 and constant barrel length – meaning that it is an internal zoom design. The lens is designed to capture fast-moving, low-light subjects, with purportedly ultra-fast autofocus tracking that can keep up with the α9 III’s 120 fps maximum burst speed — even while zooming.