Behind the Blinds
//Behind The Blinds// is a team located in Brussels that gives you an inside look into the captivating realm of visual arts, inspired by regular interactions with a diverse group of creative individuals from around the globe. This initiative originated from Michael Marson's passion for fashion and visual art, and now features contributions from both well-known and up-and-coming designers, writers, and artists. Collectively, we work to create a unified perspective on modern aesthetics across various fields such as fashion, photography, music, and architecture.
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Articles
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1 day ago |
behindtheblinds.be | Michael Marson
In the heart of Soho, McQueen finds poetry in the dissonance. Tailored silhouettes stalk the streets where writers once drank and rebels once dreamed — sharp collars, broad shoulders, and the sting of metallic thread catching light. Francis Bacon’s ghost lingers in the shadows of lace-lined satin, beside sailors in reworked gabardine. Theo Sion captures the clash: heritage cut against flight jacket edge, antique leather softened by city glow.
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1 week ago |
behindtheblinds.be | Michael Marson
Access to our exclusive interviews and features, selected weekly by the BTB team
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4 weeks ago |
behindtheblinds.be | Martin Onufrowicz
Hi Billy! Congratulations on Hell of a Summer – I got to watch it over the weekend. How did this project come about? Were you and Finn [Wolfhard] friends before getting to work on it? We became friends first. I actually had met Finn very briefly on the streets of Toronto years and years ago, just as a fan.
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4 weeks ago |
behindtheblinds.be | Michael Marson
At the time of this interview, we’re nearing the end of S3, and I’m curious to know if during filming you felt like this season is the one where everything came together for you? You know, you’ve been filming for so long, and everyone kind of knows everyone on set, you’re like one big family and you know the world your character is part of.
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1 month ago |
behindtheblinds.be | Martin Onufrowicz
You have just premiered your new film Drop at SXSW to rave reviews. What can you tell me about your experience there and how the film has been received by the festival’s audience? I love Austin. I shot season two of 1923 there. The audiences at SXSW are very kind and full blooded film lovers. That was the most vocal audience I had ever seen – they were shouting and cheering. It took me by surprise.
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