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2 weeks ago | 
behindtheblinds.be | Martin Onufrowicz
Hi Marcus! I was already a fan of The Wheel of Time, but season three is insane! I always think it takes so long to come out, and [once it did] I was like, “People still remember!” It's been a really nice response so far. It has been so long since you filmed that I imagine you could almost forget about the outcome. How does it feel now that you get to see the result? So much changes [between filming and release], and you don't know what the appetite will be for certain things.
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2 weeks ago | 
behindtheblinds.be | Martin Onufrowicz
In what has become a welcome custom of Salone del Mobile – the world’s largest design fair taking place in Milan this year from April 8th to April 13th – Prada Frames returned for its fourth edition! Following last year’s focus on the home space, this year’s iteration of the three-day symposium, hosted by the Italian fashion house in tandem with research and design practice Formafantasma, centred its lens around forms of mobility.
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1 month ago | 
behindtheblinds.be | Martin Onufrowicz
Hi James, congratulations on A Thousand Blows! The show is created by Steven Knight, who is a master of building compelling worlds. What attracted you the most to being a part of this story?
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1 month ago | 
behindtheblinds.be | Martin Onufrowicz
It’s a beautiful day in Paris, not just because it marks the grand finale of a chaotic fashion month but because it’s the most exciting one of all: the Saint Laurent day. In an industry prone to turbulence, Anthony Vaccarello remains a steady purveyor of pleasure for fashion lovers. Much like last season, where there was a clear distinction between two sequences, the same was true here—only reversed.
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1 month ago | 
behindtheblinds.be | Martin Onufrowicz
More often than not, designers like to create collections with a woman in mind – a muse which encapsulates the essence of their brand. For Fall/Winter 2025, Burc Akyol flipped this notion on its head – conceptualizing an offering that became an homage to the feminine qualities within himself. Aptly titled FEM, the proposition centred around menswear classics, redefined.
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1 month ago | 
behindtheblinds.be | Martin Onufrowicz
In what marks the final collection designed by the studio before Matthieu Blazy makes his much-anticipated debut, Chanel delivered a quintessentially Chanel collection. Not in spite of its transitional nature, but because of it. The Grand Palais was adorned with a giant bow—an overture to the collection’s central motif—around which models circled as if orbiting Chanel’s ever-iconic codes. The usual suspects were all accounted for: tweed sets, quilted bags, and this time, bows—lots and lots of bows.
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1 month ago | 
behindtheblinds.be | Martin Onufrowicz
The bathroom stall is the best place in the club. There’s just so much to do: make new friends, share positivity, and even get a quick workout in. While we choose to remain PG, Alessandro Michele went in the opposite direction. In a Valentino-red set, the designer presented an extravagant yet intellectual collection—an apt setting for a show that reveled in excess and spectacle, borrowing freely from Mr. Garavani’s maximalist archive to conjure a wardrobe for nocturnal hedonists.
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1 month ago | 
behindtheblinds.be | Martin Onufrowicz
In a constant game of fashion musical chairs, some changes make us more emotional than others. Jonathan Anderson’s now-ending tenure at Loewe – the Spanish luxury house he revived over the past ten years – is one of the eras we will look at most fondly. Teased by a reel posted by the designer on his Instagram (not going to lie, we shed a tear or two while watching it), Anderson’s final collection for the brand perfectly rounded up his singular take on modern dressing.
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1 month ago | 
behindtheblinds.be | Martin Onufrowicz
In a carousel of fashion week, one thing is for certain. Watching a Louis Vuitton collection will make you feel exhilarated. From the over-the-top staging to an abundance of new ideas, Nicolas Ghesquière knows how to take his audience on a wild ride – one that we can’t wait to get on time and time again. The Fall/Winter 2025 show was staged in a courtyard of a Parisian tenement house.
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1 month ago | 
behindtheblinds.be | Martin Onufrowicz
If there’s one thing Duran Lantink does well, it’s leading headlines. And if his ballooning silhouettes were once the subject of countless articles, this season, he has plunged into far more treacherous waters. In a Severance-like office space—cubes filled with operatic singers—the rubber torso that opened the show wasn’t necessarily shocking (or at least not compared to what was to come). The designer’s growing mark on the industry is one of boundary-pushing.
